Tags
Language
Tags
May 2024
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1
https://pbusa.top/

Have you ever wondered what Marilyn Monroe, Pamela Anderson, Dolly Parton, Farrah Fawcett, and Cindy Crawford all have in common? It's not just their legendary status in the entertainment industry - they've all graced the pages of Playboy Magazine at some point in their illustrious careers. Experience the timeless allure of these global icons and many more in the complete Playboy Archive!

Complete Playboy Archive
Now with FREE DOWNLOAD!

Rachel Podger, Jonathan Manson, Trevor Pinnock – Rameau: Pieces de Clavecin en Concerts (2003)

Posted By: tirexiss
Rachel Podger, Jonathan Manson, Trevor Pinnock – Rameau: Pieces de Clavecin en Concerts (2003)

Rachel Podger, Jonathan Manson, Trevor Pinnock – Rameau: Pieces de Clavecin en Concerts (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 66:53 | 465 MB
Genre: Classical | Label: Channel Classics | Catalog: CCS SA 19002

The authority on Rameau in the Grove's Dictionary of Music and Musicians spent a lot of words on these pieces. All YOU have to know is that the usual "continuo" situation of the bass instrument playing the same notes as those found under the harpsichordist's left hand is not present here. This is not a suite with violin on top and bass viol for continuo - but "concerted" harpsichord pieces with the help of a violin and a bass viol. The first and last suites are my favorites, but if you think you like French baroque music, you will thoroughly enjoy the whole disc.

Claire Guimond, Jonathan Manson, John Toll - Blavet: Flute Sonatas, Op. 2 Nos. 1-6 (1999)

Posted By: tirexiss
Claire Guimond, Jonathan Manson, John Toll - Blavet: Flute Sonatas, Op. 2 Nos. 1-6 (1999)

Claire Guimond, Jonathan Manson, John Toll - Blavet: Flute Sonatas, Op. 2 Nos. 1-6 (1999)
WEB | FLAC (tracks) - 415 MB | 01:16:52
Genre: Classical | Label: ATMA Classique

The flautist Michel Blavet was among the foremost European instrumentalists of his time. His second set of compositions, Sonates mêlées de pièces pour la flûte traversière avec la basse (1732), offers us sonatas in four alternating slow and fast movements, built on the Italian model. But in order to bring out the French style, Blavet inserts character pieces - portraits of sorts, most often in rondo form, eitther bearing the name of an actual or fictitious person or a title evoking a quality. As with Blavet in his time, no doubt, Claire Guimond renders all the grace and agility of these fine works