Brahms composed his two published String Quintets amid the rural tranquillity of Bad Ischl in Upper Austria and the works can almost be seen as an expression of escape from the 'urban stress' of nineteenth-century Vienna. The Quintets show Brahms standing at the pinnacle of the composition of chamber music, their gentle pastoral character being subtly shaded by a profoundly melancholy introspection.

Mendelssohn was without doubt the most precociously gifted composer the world has ever known: not even Mozart produced ‘mature’ masterpieces while still in his teens. He was also a double prodigy on the violin and piano, an exceptional athlete, a talented poet (Goethe was a childhood friend and confidant), multi-linguist, watercolorist and philosopher. He excelled at virtually anything which could hold his attention for long enough, although it was music above all which activated his creative imagination. The two String Quintets were composed at opposite ends of his short career. No 1 was written in 1826, soon after the completion of the Octet and E major Piano Sonata and before the Overture to ‘A Midsummer Night’s Dream’, when Mendelssohn was still only seventeen. He later substituted a slow movement in memory of his friend the violinist Eduard Rietz, and it was this revised version of the Quintet that was published in Bonn the same year and is recorded here. Quintet No 2 dates from 1845 (when Mendelssohn was still only thirty-six), a year before his triumphant success with Elijah in Birmingham and just two years prior to his premature death.