The full addition of Alan Wilder to Depeche Mode's lineup created a perfect troika that would last another 11 years, as the combination of Martin Gore's songwriting, Wilder's arranging, and David Gahan's singing and live star power resulted in an ever more compelling series of albums and singles. Construction Time Again, the new lineup's first full effort, is a bit hit and miss nonetheless, but when it does hit, it does so perfectly. Right from the album's first song, "Love, In Itself," something is clearly up; Depeche never sounded quite so thick with its sound before, with synths arranged into a mini-orchestra/horn section and real piano and acoustic guitar spliced in at strategic points. Two tracks later, "Pipeline" offers the first clear hint of an increasing industrial influence (the bandmembers were early fans of Einstürzende Neubauten), with clattering metal samples and oddly chain gang-like lyrics and vocals…

Entranced from adolescence by previously unheard sounds from the Orient, curious about eastern European folklore, cherishing a Spanish culture partly linked to his personal origins, Ravel never ceased to enrich his writing with repeated encounters with musical otherness.

The Carmina Burana is the most famous of all treasuries of medieval Latin and Middle High German poetry, named after the Bavarian monastery where it was compiled and preserved. It is best known today for Carl Orff's hour-long selection from it's rich collection of love lyrics, student songs and religious poetry written in Latin and old German. During the 1960s and 70s a few early-music ensembles made more or less successful efforts to capture the unique mix of secular and sacred idioms brought together by the original manuscripts.

Between 1680 and 1728, Marin Marais brought the pièce de viole to the peak of perfection. An ‘unremitting’ teacher, he was also the publisher of his own music and invented special signs to notate certain ornaments for the viol. In the course of his research at the Salzburg Mozarteum, the Italian gambist Vittorio Ghielmi studied these manuscript codes, in the hand of Marais himself or his direct students. ‘This led me to a new vision of French Baroque music, which applies not only to the viola da gamba, but also to vocal and orchestral music. These signs reveal the technique of playing in action.

Originally given a limited release in 2004, this Savoy Brown (featuring Kim Simmonds) live album, recorded in Vancouver, Canada, now gets a full national release. The album features wonderful concert versions of the Savoy Brown classic songs,Hellbound Train,Street Corner Talking and Poor Girl. Besides those tracks, we get to hear Kim Simmonds, a master guitarist, extend on the blues Where Has Your Heart Gone, an eleven minute opus! The original sleeve notes from Kim are included with almost sixty minutes of music. Rock/blues at its finest, this CD is a must for new and old fans alike.

Sam Brown first shot to fame with the massive UK No. 4 hit "Stop" in 1989. The album of the same name went on to sell over 2.5 million copies worldwide. It also spawned the UK Top 15 hit "Can I Get A Witness?". Her follow-up album "April Moon" yielded the single "Kissing Gate", charting at No. 23. Above all, Brown is an outstanding musician with a voice so distinct and powerful that it didn't take long for fellow musicians to recognize. She was a backing singer on Pink Floyd's "The Division Bell" album and worked with David Gilmour on his 2003 acoustic concert tour throughout the UK & Europe. In 1994, she was a guest with future husband Jools Holland's Rhythm & Blues Orchestra and became their vocalist in 2000. The Very Best of Sam Brown is the compilation album from the UK singer-songwriter, Sam Brown. It was released worldwide in 2005. Includes the previously unreleased demo version of ‘Stop!’

Memorial Beach is the fifth album by the Norwegian band A-ha, released in 1993. The album was recorded primarily at Prince's Paisley Park studios outside Minneapolis in the U.S. Memorial Beach featured three UK Top 50 singles for the band, "Move to Memphis" (released as a single in 1991, almost two years before the album), "Dark is the Night" and "Angel in the Snow". While the album did not chart on the U.S. Billboard 200 and would be the band's last to be released there, the single "Dark Is the Night" peaked at #11 on the Billboard Bubbling Under Hot 100 Singles chart, their last U.S. charting to date. Q magazine listed the album as one of the 50 best albums of 1993: "If ever a band deserved reappraisal on the back of an album then it was a-ha!"