Both tracks start off with slow waves of ethereal sounds. During the 50 minute track, "Time - Cage," much evolution occurs. The slow melodic opening becomes a darker atmosphere. In the darker part, which takes up the majority of the song, low drones provide a foundation while wisps of air and (for a lack of a better term) spacey computer sounds flow by. There is a quiet percussion line with a cricket-sounding element that adds a sleepy characteristic. Eventually lighter or higher pitched background elements return providing a more ethereal sound late in the song. This gives way a short while later with the song ending with nothing but echoed electronic sounds surrounded in thick reverb. In every part of the song (the background drones, subtle percussion, foreground melodies and noises) there is constant, slow change…

CD 1 opens with Olivia Dean's number 1 single 'Man I Need', followed by Ed Sheeran's scintillating 'Sapphire' and Lewis Capaldi's number 1 hit 'Survive'. Alex Warren is represented with "Eternity", Chappell Roan's number 1 hit "The Subway" and Sabrina Carpenter with more great pop on "Tears". CD2 kicks off with RAYE's top 3 hit "WHERE IS MY HUSBAND!", followed by a second appearance from Lewis Capaldi with "Something In The Heavens" and Ed Sheeran with "Camera". Myles Smith's latest song "Stay (If You Wanna Dance)" is followed by MK's No. 1 and dancefloor hit "Dior (feat. Chrystal)", and is followed by another collaboration from Morgan Seatree & Florence + The Machine on "Say My Name (Remix)", alongside Disco Lines and Tinashe on energetic "No Broke Boys" and Rossi & Jazzy with "High On Me".

The album "A House Of Dynamite (Soundtrack from the Netflix Film)" features original music composed by Academy Award winner Volker Bertelmann for the 2025 Netflix political thriller of the same name. The film depicts the tense aftermath of an unattributed missile strike on the United States, focusing on the unfolding events within the White House and command centers. The soundtrack captures the film's tense atmosphere and dynamic storyline, released digitally on October 24, 2025, by Netflix Music, available for streaming and download. The album includes the digital single "Inclination Is Flattening"

George Szell Part of the wave of great Hungarian conductors who took over American musical life just before and after World War II (the others included Fritz Reiner, Antal Dorati, and Eugene Ormandy), George Szell quickly transformed a middling Midwestern orchestra into one of the nation's Big Five. His cultivation of the Cleveland Orchestra set an example of discipline and hard work that gradually helped raise the standards of orchestras across America.Although born in Hungary, Szell was raised in Vienna, where he studied composition with Eusebius Mandyczewski and piano with Richard Robert; he also studied composition in Prague with J.B.. Foerster. Szell was a wunderkind, playing a Mozart piano concerto with the Vienna Symphony Orchestra when he was 10, and composing a number of quite solid chamber and orchestral works in lush late Romantic style as a child and teenager.

Francesco Saverio Geminiani (1687-1762), born in Lucca, began his study at an early age with his father, but his most important lessons followed in his years with the great Roman Master, Arcangelo Corelli. Composition lessons with Alessandro Scarlatti helped inspire and solidify his craft. In 1714 Geminiani settled in London, where he quickly gained fame as an ensemble player, concert violinist, and teacher. Here he became friends with Handel and led the orchestra during many performances together. Geminiani enjoyed great success not only in London, but also in Ireland where he spent a considerable amount of time. In 1760 he settled in Dublin, dying there in somewhat impoverished circumstances in 1762.

Made in Basing Street (2012) by The Producers is a sophisticated rock and pop album created by a group of renowned British producers and musicians: Trevor Horn, Stephen Lipson, Lol Creme, Ash Soan, and Chris Braide. Recorded at the legendary SARM Studios in Basing Street, London, the album blends lush production, melodic songwriting, and polished musicianship. It features tracks like “Your Life” and “Man on the Moon,” showcasing the band’s flair for cinematic soundscapes and classic pop hooks. Made in Basing Street captures the essence of decades of studio mastery, merging vintage craftsmanship with modern sonic elegance.

Chick Corea (1987) is a self-titled album by the legendary jazz pianist and composer Chick Corea, showcasing his signature blend of virtuosity, lyricism, and exploration. Released on the Japanese label Polydor, the album features a mix of acoustic and electric jazz styles, reflecting Corea’s wide-ranging musical interests. With intricate melodies, rich harmonies, and dynamic improvisations, the record highlights Corea’s skill as both a soloist and bandleader. Each track demonstrates his deep connection to jazz tradition while pushing creative boundaries. Chick Corea (1987) stands as a testament to his continual evolution and enduring influence in contemporary jazz music.

Re-released on Capriccio this month is a disc of Italian Concertos performed by the Concerto Köln. Alongside masterpieces by Vivaldi and Pergolesi, this 2 CD set contains some rarities of Neapolitan composers such as Francesco Durante and Leonardo Leo.

Alexander Tcherepnin was a very good composer, and his six piano concertos, licensed from BIS for this Brilliant Classics release, constitute an impressive body of work, full of color, variety, and contrast. The first two are single-movement pieces, while in the third Tcherepnin expands the formal layout to two movements without exceeding the very modest length of his first two concertos. In the Fourth Concerto things get really interesting: it consists of three short tone poems based on Chinese stories and melodies. Now admit it, who can resist a slow movement called “Yan Kuei's Love Sacrifice”?

In 2001 this young British tenor became an international phenomenon with his platinum-plus debut album THE VOICE. With that blockbuster recording, he defined himself as the pop-opera crossover sensation of the 21st century. The appropriately titled follow-up ENCORE will likely be regarded with suspicion by those with their feet planted firmly in either the pop or operatic world. Those whose tastes fall somewhere in between are exactly the folks who've already made him a superstar, and it is for them that ENCORE was made.

If you might be interested in Early Music, you cannot go wrong with any CD's from David Monroe. These are historically accurate performances by one of the pre-emminent musicians of the early historical instrument repertoire. Unfortunately there is a somewhat limited number of his CD's available from the 1963-76. There are still ongoing professional discussions on what may be considered as an "historical performance" for this period music.

Here are some prime works by Vivaldi that are not hot from a recording studio, but bring a new Nibiru title to our catalogue. They feature Ensemble Inegal and Prague Baroque Soloists conducted by Adam Viktora, who are legendary for their performances of music by Zelenka. We know lots about him, but it is unclear if Antonio Vivaldi ever actually visited the Czech lands - Bohemia, Moravia and Silesia. Certainly his music was circulating there, as some of his operas appeared in Prague.

She replaced Janis Joplin and performed with Big Brother & the Holding Company, Leon Russell, and the Rolling Stones. This is a masterpiece of female swamp rock featuring a stellar lineup, and the duet with Sly is a must-listen. Originally released in 1974 on Capitol Hill (USA). After joining Big Brother & the Holding Company as Janis Joplin's replacement, Leon Russell's Shelter People, and the Rolling Stones' "Exile on Main Street" sessions, this album marks her solo debut. Featuring a stellar lineup including producer David Briggs (Neil Young), Ronnie Montrose, Nils Lofgren, the Pointer Sisters, and more, this is the definitive female swamp rock album. The title track, a duet with Sly Stone, is also a must-listen! Limited edition paper jacket

Mono. Recorded at Saal III, Berlin, 14.X.1963 [October 14, 1963]. By 1963, Dexter Gordon and Donald Byrd had become two of the leading lights of the Blue Note label, a gleaming showcase and an experimental laboratory for the evolutions and revolutions taking place in the small world of Afro-American jazz stemming from hard bop. Curiously, however, it was not until the autumn of that year that the two musicians made a recording together. Dexter Gordon had been recognized since the mid-1940s as a major stylist of the tenor saxophone and for having created the perfect synthesis of Lester Young’s laid-back rhythm and Coleman Hawkins’ sensuality by way of the then-flourishing bepob style (the two were the historical fathers of the instrument). Gordon subsequently went through a long purgatory of numerous, chronic addictions, but by the autumn of 1963 he had emerged from the ordeal and was experiencing a creative renaissance. Working with a new generation of musicians, he had regained his enthusiasm, his inspiration and his charisma.

Ozzy Osbourne, born in 1948 in Solihull, West Midlands, became a founding member of Black Sabbath in 1968, providing lead vocals for their self-titled debut album in 1970 until Never Say Die! in 1978. The band was highly influential in the development of heavy metal, in particular their critically acclaimed releases Paranoid, Master of Reality, and Sabbath Bloody Sabbath. Osbourne was fired from Sabbath in 1979 due to alcohol and drug problems. He then began a successful solo career with Blizzard of Ozz in 1980 and has released 13 studio albums, the first seven of which received multi-platinum certifications in the US. He has since reunited with Black Sabbath on several occasions. He rejoined in 1997 and helped record the group's final studio album, 13 (2013), before they embarked on a farewell tour that ended with a 2017 performance in their native Birmingham. His longevity and success have earned him the informal title of the "Godfather of Metal". DISC ONE was recorded at the Metropolitan Sports Center, Bloomington, MN, on 15th January 1982, while the band was still touring Ozzy’s second album, Diary Of A Madman, and when the legendary Randy Rhoads was still in the group prior to his tragic death in March ’82. DISC TWO features a show played in Tokyo in June 1984 performed while touring the Bark At The Moon record, and one of six dates in the Far East while on the tour. DISC THREE concludes this superb live collection with an Ozzfest performance from 2003, played at the Tweeter Center, in Camden, NJ, on 7th August 2003.