Forced to run from the Texas Rangers after a heated misunderstanding leads to the death of a lawman, Mexican American farmer Gregorio Cortez sets off in desperate flight, evading a massive manhunt on horseback for days. Producer-star Edward James Olmos, seeking to shed new light on a historical incident that had been enshrined in a corrido (folk song), enlisted director Robert M. Young, a longtime practitioner of socially engaged realism, to helm this trailblazing independent film, a landmark of Chicano cinema. Shifting its perspective between the pursuers and the pursued, The Ballad of Gregorio Cortez is a thrilling chase film and a nuanced procedural that peels away the layers of prejudice and myth surrounding Cortez, uncovering the true story of an ordinary man persecuted by the law and transfigured by legend.

A massive six-hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.

In this D.H. Lawrence adaptation, Sir Clifford Chatterley (Ann Mitchell) returns home from war severely injured and impotent, causing tension in his marriage to Lady Constance Chatterley (Nicholas Clay). Clifford gives his young wife permission to seek a lover from the upper classes, but Constance becomes ill from the strain of caring for her husband. A visiting nurse recommends fresh air for her recovery, which leads her into the arms of gamekeeper Oliver Mellors (Shane Briant).

En route to Earth's orbiting space station, a spaceship with four men aboard is attacked and they awaken after their spaceship crash lands. One of them, Professor Konrad, determines they have landed on Venus, a planet scientists had believed to be uninhabitable. They are taken prisoner by the inhabitants, all beautiful women, who imprisoned the men and took control of the planet. Their masked Queen, Yllana, has plans to destroy the Earth with their beta disintegrator but there is dissent among them led by the beautiful Talleah.

Though still mentally shaky, convicted axe-murderess Lucy Harbin (Joan Crawford) is released from the asylum where she was sent 20 years ago for slaying her unfaithful husband. Lucy goes to stay at her brother's farm and reconnect with her grown daughter, Carol (Diane Baker), who saw her mother chop her father to pieces as a tot. Carol helps Lucy regain her old glamorous look – but suspects that history might be repeating itself when anyone who angers her mother turns up hacked to death.

Ted (Michael Paré) is working in Nepal when he and his girlfriend are attacked by a mysterious creature. Ted, though brutally maimed, survives, but his girlfriend is not so lucky. To help his recovery, Ted moves close to his sister, Janet (Mariel Hemingway), and her son, Brett (Mason Gamble), but soon realizes he was attacked by a werewolf. Ted is helpless to stop his transformation and only Brett's German shepherd, Thor, is able to see that Ted is a danger to everyone around him.

Unseen for over 30 years. After forever changing horror history with NIGHT OF THE LIVING DEAD, George A. Romero next directed a pair of rarely seen movies that have been considered 'lost' by critics and fans worldwide. Filmed as JACK'S WIFE and briefly released under the title HUNGRY WIVES, Romero's third feature is the disturbing story of a suburban housewife's descent into extramarital sex and the occult.

Al Shaw retires from auto racing to take over his father's garage in rural New Zealand. His cosmopolitan wife, Jacqui, is happy that he's no longer risking his life on the Grand Prix circuit, but she quickly becomes bored in their small town. She takes up with a local policeman and announces that she's leaving Al and bringing their daughter, Georgie, with her. Al, in desperation, decides to kidnap Georgie and head further out into the frontier.

Roger Mortis and Doug Bigelow are cops chasing crooks who are unstoppable because they're already dead. When their investigation leads them to the mysterious Dante Pharmaceuticals, someone murders Mortis – but Bigelow and a coroner named Smythers discover the Resurrection Room, where the dead crooks have been brought back to life. It's time to revive Mortis and take the fight to the bad guys.

At the close of WWII, an elite squad of American soldiers infiltrates a remote Nazi outpost with the intention of stealing battle plans and ending the war early. Unknown to his troops, the American Captain’s real motives for attacking the compound is to steal a hidden cache of Nazi jewels. In a bloody attack the soldiers storm the base, and discover beautiful Nazi women. The Americans take them as prisoners, but can they overcome their sexual desires and fulfill their mission? Will their corrupt officer let any of his troops make it out alive?

Maurizio Merli plays a cop forced into retirement by his superiors due to a fondness in the past, of taking matters into his own hands and meting out his own brand of justice to any wrongdoers who have the temerity to commit a crime in his neck of the woods. This exile doesn't last too long however, as he suddenly finds himself recalled to duty by the very same superiors, who believe utilising his brutish methods is just about the only option they have of putting a stop to a gang of nefarious criminals who have just escaped from the clink, and mean BUSINESS! Cue exploding cars; a spectacular motorcycle chase; a one-sided dust-up where Merli teaches four hooligans some manners on a public bus and plenty of gratuitous shoot- outs.

When her sister is kidnapped by white slavers, only Grandpa knows what to do. He puts in a call to a fictional hero, Jake Speed. She is amazed to find that he actually exists, and that as flesh and blood, is much less formidable than his reputation.

Indigenous Detective Jay Swan arrives in Goldstone on a missing persons enquiry. What seems like a simple investigation, however, opens a web of crime, corruption, trampling of land rights and human trafficking. Jay must pull his life together and bury his personal differences with a young local cop, so together they can bring justice to Goldstone.

A teenage girl is found hanging from the rafters of a privately rented attic, pregnant and violated. Hot-headed Inspector Silvestri (Claudio Cassinelli, The Suspcious Death of a Minor) and rookie Assistant District Attorney Vittoria Stori (Giovanna Ralli, Cold Eyes of Fear) are assigned to the case, the scope of which grows substantially when they discover that the dead girl was part of a ring of underage prostitutes whose abusers occupy the highest echelons of Italian society. Meanwhile, a cleaver-wielding, motorcycle-riding killer roars through the streets of Brescia, determined to ensure that those involved take their secret to the grave.

A journey into America in the year 2019. A man in search of a lost love. A woman lost in desire for revenge. A country paralyzed by heat and lost in suspicion and paranoia. And a twenty-year-old diary that evokes memories and the yearning to waste yourself in destruction.