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Baroness - Purple (2015)

Posted By: gribovar
Baroness - Purple (2015)

Baroness - Purple (2015)
EAC Rip | FLAC (image+.cue+log) - 314 MB | MP3 CBR 320 kbps (LAME 3.93) - 100 MB | Covers - 50 MB
Genre: Progressive Metal | RAR 3% Rec. | Label: Abraxan Hymns (ABXN-001)

Purple is the color of fresh bruises. It's also the combination of Red and Blue, which makes sense musically for those familiar with the group's albums of those names. These are some of the biggest, strongest songs Baroness have written; it's rock music that folds in their more metal leanings, along with something more delicate and spare. The hooks and melodies are their best. It also marks a number of firsts for the band. They're releasing it themselves on their new Abraxan Hymns imprint, and instead of recording with John Congleton, who produced the last couple of albums, they worked with Dave Fridmann, best known for his longtime collaboration with Flaming Lips (and you'll notice a larger presence of psychedelic keyboards throughout). It's also the first album to feature the new lineup, the same group as that first tour after the accident, and at this point they play together like longtime vets.

Baroness - Stone (Deluxe Edition) (2023)

Posted By: Rtax
Baroness - Stone (Deluxe Edition) (2023)

Baroness - Stone (Deluxe Edition) (2023)
EAC Rip | FLAC (tracks, cue, log) - 504 MB | MP3 CBR 320 kbps - 182 MB
1:18:19 | Sludge Metal, Alternative Metal, Progressive Metal | Label: Abraxan Hymns

The origins of 'Stone' go back to 2020. It is not a pandemic record, but the core of it was written during its darkest days. Anxiety, relief, and resolve are stitched deeply throughout. When the foursome was isolated in Pennsylvania and New York, turning stems of music into full-fledged songs felt insurmountable. Baroness toiled as the world roiled. Creativity fully flourished only when they escaped to an Airbnb in Barryville, a quaint hamlet on the New York/Pennsylvania border. The undulating 'Beneath the Rose', the energetic drive of 'Anodyne', the trad-metal burlof 'Last Word,' and the dynamic introspection of 'Shine' rushed out, as did the motorik of 'Choir' and the emotional heft of 'Magnolia'. Stone was a sort of catharsis, a turning of the page, a middle finger to the suffocating insincerity of expectation.