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Stuart A. Staples - Leaving Songs (2006) {Expanded Edition}

Posted By: popsakov
Date: 7 Dec 2023 22:22:35
Stuart A. Staples - Leaving Songs (2006) {Expanded Edition}

Stuart A. Staples - Leaving Songs (2006) {Expanded Edition}
2CD | EAC Rip | FLAC (Tracks) + Cue + m3u8 + Log ~ 537 Mb | MP3 CBR320 ~ 280 Mb
Full Scans | 00:37:01 + 00:37:52 | RAR 5% Recovery
Indie Rock, Alternative Rock, Art Rock, Chamber Pop, Acoustic | Beggars Banquet Records #bbqcd 247

Leaving Songs by Tindersticks frontman Stuart Staples is his second solo album; his first, Lucky Dog Recordings 03-04, wasn't released in the States until now, as it is included here, thankfully, as a bonus disc. Leaving Songs is a true departure for Staples. The vocals and backing tracks were recorded in Nashville by Mark Nevers with the overdubs recorded back at Lucky Dog in the U.K. After the first lines of "Goodbye to Old Friends," the opening cut, it's obvious that this record is different, in its way, from what Staples has done before, either with or without his band; the tempo, horn lines, the chorus of female backing vocalists.
Details

Stuart A. Staples - Arrhythmia (2018)

Posted By: Designol
Date: 24 Oct 2021 16:02:18
Stuart A. Staples - Arrhythmia (2018)

Stuart A. Staples - Arrhythmia (2018)
EAC | FLAC | Tracks (Cue&Log) ~ 254 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Label: Lucky Dog/City Slang | # Lucky Dog 21/City Slang 50156
Post-Rock, Alternative/Indie, Electronic, Chamber Pop | Time: 00:54:07

Stuart A. Staples releases Arrhythmia on 15 June via City Slang, his first solo album in thirteen years. Arrhythmia is immersive and experimental, both recognisably the work of the Tindersticks’ frontman and simultaneously a stand-alone, unique piece of work. It's a provocative album where electronic experimentations and rare multi-instrumentations interweave, wrapping themselves around unconventional but utterly spellbinding song structures. Written in what Stuart A. Staples describes as “a lost year”, Arrhythmia began on Christmas day 2016 when he was drawn to the studio to record the beginnings of A new real, the album’s hypnotic opener of glitchy electronic loops with a sly nod to disco. A year later the entire album was complete, a process which involved Staples struggling between his own free sense of timing and more mechanical rhythms and what he describes as “a growing need for each song to take a turn, to lead them into strange places, keeping the feeling or effect of the song, but only as a memory.”
Details
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