Iconic Jazz artist Erroll Garner's greatest concert album and one of the best selling jazz albums of all time, "The Complete Concert By The Sea" celebrates the 60th Anniversary of the original concert from September 19, 1955. The complete live concert recording newly uncovered by the Erroll Garner Jazz Project and digitally remastered in its entirety after six decades is produced by Guggenheim Award-winning jazz pianist and Director of Jazz Studies at the University of Pittsburgh Geri Allen and 4-time GRAMMY Award-winning producer Steve Rosenthal. The 3-CD box set contains the complete live "Concert By The Sea" including 11 previously unreleased tracks, the original edited Columbia release from 1956 and bonus material including announcer Jimmy Lyons and interviews with the Erroll Garner trio: Denzil DaCosta Best, Eddie Calhoun, and Garner himself, recorded directly after the concert.

Erroll Garner was one of the great American Jazz pianists of the 20th century, yet very few know his name or his music. Ready Take One is the first completely new Garner studio album in nearly 25 years. "Ready Take One" features six never before released original Garner compositions, including the infectious "Wild Music" and beautiful ballad, "Back To You". Recorded during a prolific five-year period beginning in 1967, all 14 songs on Ready Take One are previously unreleased, having only recently been discovered after nearly 50 years.

Pianist/composer Jacky Terrasson makes his Impulse! label debut with "Take This", a sparkling new disc that captures the quintessence of his multifaceted musical makeup, which often draws upon modern post-bop, pop, hip-hop, European classical, and African and Afro-Caribbean rhythms and melodies. On "Take This", Terrasson convenes a truly international band featuring American bassist Burniss Travis, Cuban-born drummer Lukmil Perez, Malian percussionist Adama Diarra, and Afro-French vocalist and human beatbox virtuoso Sly Johnson, forming a hip cosmopolitan combo that represents jazz s expansive global mindedness while still affirming its African-American roots.

One of Deodato’s career highlights, this 1982 release finds the wildly talented musician incorporating a more smooth pop sound. The slick and melodious album features a guest appearance by Kelly Baretto, whose R&B style and high octave vocals blends with ease. The album features the hit singles “Keep It In The Family”, “Keep On Movin'” and the title track.

"Complete Communion" is a 1966 album by American jazz composer Don Cherry, his first release on Blue Note Records. Each side of the original LP were suites, side-long compositions working with several themes. Critics have proposed this recording as an important innovation in the free jazz of the time, introducing "an alternative both to athematic improvising and to monothematic pieces".

Don Cherry's Eternal Rhythm Group was organized and recorded in collaboration with the Berlin Jazz Festival 1968. Cherry assembled some of Europe's jazz elite, including Germans trombonist Albert Mangelsdorff, vibraphonist Karl Berger, and Pianist Joachim Kühn, and the innovative American guitarist Sonny Sharrock.

Released in 1959, Beauty and the Beat! is an album by Peggy Lee, accompanied by the George Shearing Quintet. It was produced by Dave Cavanaugh.

"Imaginary Cities", an album of great power and expressive range, is the recording premiere of saxophonist Chris Potter’s new Underground Orchestra. At the core of this larger ensemble is the personnel of his long-established Underground quartet – with Adam Rogers, Craig Taborn and Nate Smith – now joined by two bassists, a string quartet, and Potter’s old comrade from Dave Holland Quintet days, vibes and marimba virtuoso Steve Nelson.

This Hi-Res collection of Roy Orbison's recordings features the following albums: "Lonely And Blue" (1961), "Crying" (1962), "In Dreams" (1963), "Oh! Pretty Woman" (1964).

I Robot was produced and engineered by Alan Parsons at Abbey Road Studios and is an audiophile's dream recording. Transferred on an all-tube cutting system from the original 1/4" analog master tapes at Bernie Grundman Mastering.

Hailed as "a deeply natural songwriter" (The New Yorker) who "defies expectations in his own way" (Time) and "Gen X's most famous absurdist" (Blender), Beck is the single most inventive and eclectic figure to emerge from the '90s altertnative revolution. In an era obsessed with junk culture, Beck seamlessly blends pop, folk, hop-hop, indie/underground and electronica with the end result being an authentically uncategorizable musical style that nevertheless has sold millions of records and scored multiple Grammy awards.

Winter's debut album for Columbia was also arguably his bluesiest and best. Straight out of Texas with a hot trio, Winter made blues-rock music for the angels, tearing up a cheap Fender guitar with total abandon on tracks like "I'm Yours and I'm Hers," "Leland Mississippi Blues," and perhaps the slow blues moment to die for on this set, B.B. King's "Be Careful with a Fool." Winter's playing and vocals have yet to become mannered or clichéd on this session, and if you've ever wondered what the fuss is all about, here's the best place to check out his true legacy.

One of Charles Mingus' lesser-known band sessions, this lyrical set of five originals (plus the standard "Memories of You") features his usual sidemen of the period (trombonist Jimmy Knepper, trumpeter Clarence Shaw, Shafi Hadi on tenor and alto, and drummer Dannie Richmond), along with pianist Bill Evans. The music stretches the boundaries of bop, is never predictable and, even if this is not one of Mingus' more acclaimed dates, it is well worth acquiring for the playing is quite stimulating.

Anders Jormin’s new Swedish-Japanese project returns the highly distinctive voice and fiddle of Lena Willemark to ECM (her first appearance on the label in more than a decade), and introduces koto player Karin Nakagawa. In their collaborative music the Japanese classical tradition and the stark, archaic sounds of the koto, allied to Jormin’s muscular bass improvisations, form a unique context for Lena’s sung poems, delivered in her native Älvdals-dialect. Traditions and non-idiomatic improvising are cross-referenced, and new paths are opened up.

Rhiannon Giddens, singer, songwriter, multi-instrumentalist, and founding member of Grammy Award-winning Carolina Chocolate Drops, makes her solo recording debut with "Tomorrow Is My Turn" on Nonesuch Records. The album was produced by T Bone Burnett.