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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop

    Posted By: l3ivo
    The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop

    Kyra D. Gaunt, "The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop"
    English | 2006 | ISBN: 0814731201, 0814731198 | 238 pages | PDF | 0.883 MB

    2007 Alan Merriam Prize presented by the Society for Ethnomusicology

    2007 PEN/Beyond Margins Book Award Finalist

    Explores how the traditions of black music are intertwined in the games black girls grow up with

    When we think of African American popular music, our first thought is probably not of double-dutch: girls bouncing between two twirling ropes, keeping time to the tick-tat under their toes. But this book argues that the games black girls play―handclapping songs, cheers, and double-dutch jump rope―both reflect and inspire the principles of black popular musicmaking.

    The Games Black Girls Play illustrates how black musical styles are incorporated into the earliest games African American girls learn―how, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Kyra D. Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried into adulthood. In this celebration of playground poetry and childhood choreography, she uncovers the surprisingly rich contributions of girls’ play to black popular culture.