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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Isa Genzken: Fuck the Bauhaus

    Posted By: interes
    Isa Genzken: Fuck the Bauhaus

    Isa Genzken: Fuck the Bauhaus (Afterall Books / One Work) by Andre Rottman
    English | May 14, 2024 | ISBN: 184638253X | 96 pages | EPUB | 5 MB

    A strikingly original analysis of Isa Genzken’s move towards merging sculptural and architectural morphologies into a trailblazing practice of contemporary assemblage.

    Fuck the Bauhaus, a series of audacious architectural models for future high-rise buildings in Manhattan, marks a poetic and provocative shift in Isa Genzken’s artistic oeuvre. Made in the year 2000, out of quotidian objects and cheap materials foraged in the streets and stores of New York, these sculptural assemblages depart from the German artist’s ‘post-Minimalist’ works begun in the 1970s. The earlier works conjured the haunting spectres of catastrophe, destruction and failed utopia, as well as the potential for freedom amidst the ruins of post-War reconstruction culture.

    Analysing Genken’s post–2000 penchant for appropriation, collage and montage, André Rottmann draws on the writings of Deleuze and Guattari, Bruno Latour and other theorists of "assemblage," to show how her ‘late style’ is not a return to (neo-)avant-garde traditions but a powerful reimagining of them for the contemporary moment.

    My nickname - interes