Museums After Modernism: Strategies of Engagement (Repost)

Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock Content: Chapter 1 Un?Framing the Modern: Critical Space/Public Possibility (pages 1–39): Griselda PollockChapter 2 Women's Rembrandt (pages 40–69): Mieke BalChapter 3 Museums and the Native Voice (pages 70–79): Gerald McMasterChapter 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact (pages 80–103): Ruth B. PhillipsChapter 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions (pages 104–118): Reesa GreenbergChapter 6 A Place for Uncertainty: Towards a New Kind of Museum (pages 119–130): Vera FrenkelChapter 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation (pages 131–140): Mary KellyChapter 8 Riksutstallningar: Swedish Traveling Exhibitions (pages 141–156): Ulla ArnellChapter 9 Reframing Participation in the Museum: A Syncopated Discussion (pages 157–172): Janna Graham and Shadya YasinChapter 10 “There is No Such Thing as a Visitor” (pages 173–177): Judith MastaiChapter 11 “Anxious Dust”: History and Repression in the Archives of Mary Kelly (pages 178–189): Judith MastaiChapter 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics (pages 190–224): Juli Carson