"Complete Method For Accordion" By Victor Gurulev

Learn how to play an Accordion from basic to complex skill and techniques

What you'll learn

You will understand an Accordion by start from basic to complex skill and techniques.

Also get about basic music theory, some basic improvisational, and ear training.

Each step should start by repeating the previous one. And spend 10-15 minutes on it.

This technique promotes the development of creative thinking, finding your own way and self-expression in music.

Requirements

You need an Accordion for learning and practicing.

In this course we have a manual books for you.

Description

The Accordion is a fairly complex instrument in the initial period of training. The student must master two different keys in the absence of eye contact with them, spend considerable physical effort to extract sound when controlling the bellows, be able to read notes in parallel in two keys-violin and bass, solve various coordination and motor tasks. The methodology of this book is based on a system of developmental learning, the didactic principle of accessibility - from simple to complex, hourly updating of tasks, the rejection of excessively long periods of work on pronunciation, the development of initiative and independence of the student.This course is intended for those who want to learn to play the accordion and get all the basic skills and techniques, the structure of the course is divided into (steps), steps to mastery. And also includes basic knowledge of music theory, some basic improvisational techniques, and ear training. Following the schedule and performing tasks efficiently, the student will be able to master the accordion in a short time and at the proper level.Each task, if possible, should be played using a metronome. As a result of training, you should not rush. If the student has not learned the tasks from the step, you will need to repeat the step and automate all the skills described in the step. Each step should start by repeating the previous one. And spend 10-15 minutes on it.Each step serves as a small link in a large chain of knowledge and requires quite a lot of preparatory work from the teacher. All these efforts pay off handsomely: as a result of meeting the requirements of each lesson in a short time, we will get a student with formed basic game skills and a stable rhythm.When teaching, it is necessary to take into account the psycho-physiological and physiological, as well as age characteristics of the student. Someone can master this material in a month, someone will need a whole year. This book contains an approximate plan and a set of exercises that will help the teacher and student to master the accordion in the shortest possible time. As a result of long conscious repetitions, the brain automates the process of execution, and at later stages the student will not experience problems, because in a split second, he will be able to repeat the articulation or technical skill learned earlier. It is also recommended not to look at the keyboard during execution, but to act blindly - the Do key is always located next to the two black keys.At the discretion of the teacher, some easy songs can not be memorized or played. It all depends on the musical abilities of the student, it is more important to repeat and repeat the musical material of the lessons day by day.You should try from the very first lesson to combine and combine all aspects of the art of music, to instill in the student a love of music and creativity, and not to the mechanical reproduction of notes. This technique promotes the development of creative thinking, finding your own way and self-expression in music.

Overview

Section 1: Greetings

Lecture 1 Meets your instructor "Victor Gurulev"

Section 2: Book I : Step 1 - Correct movement of bellows

Lecture 2 1.1 - Setup Your Accordion

Lecture 3 1.2 - 3 Support Point, Right Movement of Bellows

Lecture 4 1.3 - Note Duration, Right Movement of Wrist

Section 3: Book I : Step 2 - Non Legato. Wrist breath. Notation

Lecture 5 2.1 - Articulation, Fingers

Lecture 6 2.2 - Exercises

Lecture 7 2.3 - Exercises for Connect Bellows and Correct Wrist Movements

Section 4: Book I : Step 3 - Left hand, Bass Clef

Lecture 8 3.1 - Bass Clef, Left Hand

Lecture 9 3.2 - Circle of Fifth, Blind method

Section 5: Book I : Step 4 - Connect the right and left hands

Lecture 10 4.1 - Simple Hands Pattern

Lecture 11 4.2 - Non Legato, Learn Songs

Lecture 12 4.3 - Left Hand Exercises

Section 6: Book I : Step 5 - C,G,F major scale. Improve your Ears.

Lecture 13 5.1 - Scales, Permutation

Lecture 14 5.2 - Sing of Alteration, Continue with Scales

Section 7: Book I : Step 6 - Staccato, Wrist punch

Lecture 15 6.1 - Basic Articulation, Staccato

Lecture 16 6.2 - Improve Staccato, Exercises

Lecture 17 6.3 - Learn New Song with Staccato

Section 8: Book I : Step 7 - Development of the right hand technique

Lecture 18 7.1 - Right Hand Exercises

Lecture 19 7.2 - Learn New Songs

Section 9: Book I : Step 8 - Dynamics

Lecture 20 8.1 - Dynamics

Lecture 21 8.2 - New Songs with Dynamics

Section 10: Book I : Step 9 - Left hand C major scale and dynamics.

Lecture 22 9.1 - Left Hand scale

Section 11: Book I : Step 10 - A, E, F minor scale. Improve your Ears.

Lecture 23 10.1 - Scales

Lecture 24 10.2 - Arpeggio, Play by Ear

Section 12: Book I : Step 11 - Detache, Improve your Bellows technique

Lecture 25 11.1 - Detache

Section 13: Book I : Step 12 - Warm up your Brain

Lecture 26 12.1 - Scale, Connect 2 Hands

Section 14: Book I : Step 13 - Connect C,F,G Permutation

Lecture 27 13.1 - Ear Training

Section 15: Book I : Step 14 - Ear Training, Improvisational technique

Lecture 28 14.1 - Improvisation Exercises

Section 16: Book I : Step 16 - Legato

Lecture 29 16.1 - Legato

Section 17: Book I : Step 17 - Improve your ear.

Lecture 30 17.1 - Minor Chords Left Hand

Section 18: Book I : Step 18 - Time signature: 2/4, 3/4, 4/4. Eight notes

Lecture 31 18.1 - Time Signature, New Songs

Section 19: Book I : Step 19 - About Attack

Lecture 32 19.1 - Attack

Section 20: Book I : Step 20 - Legato and Staccato

Lecture 33 20.1 - Mix Different Articulation

Section 21: Book I : Step 21 - End of sound

Lecture 34 21.1 - Ending

Lecture 35 21.2 - Learn New Songs

Section 22: Book I : Step 22 - Make music sounds live and touch heart.

Lecture 36 22.1 - How to Make Music Sounds More Live

Section 23: Book I : Step 23 - Review chapter 3,4 Jam session

Lecture 37 23.1 - Reviews

Section 24: Book II : Chapter 1, Step 1-7

Lecture 38 Step 1 - C major scale, arpeggio, chords

Lecture 39 Step 2 - Learn how to play polyphony

Lecture 40 Step 3 - Learn how to play suites

Lecture 41 Step 4 - Learn how to play Cantilena and slow melodies

Lecture 42 Step 5 - Learn how to play fast song, and with different mood

Lecture 43 Step 6 - Improvisation, B major scale, Learn blues F.

Lecture 44 Step 7 - Ear training, Jam session

Section 25: Book II : Chapter 2, Step 8-12

Lecture 45 Step 8 - F major scale, arpeggio, chords

Lecture 46 Step 9 - Improving how to play Polyphony

Lecture 47 Step 10 - Improving how to play Suite

Lecture 48 Step 11 - Play Cantilena

Lecture 49 Step 12 - Play Polka

Section 26: Book II : Chapter 2, Step 13-14

Lecture 50 Step 13 & 14 - A major scale, D minor Blues

Section 27: Book II ; Chapter 3, Additional material

Lecture 51 15.1 - Etudes, Polyphony

Lecture 52 15.2 - Sarabande, Suites and Sonatas

Lecture 53 15.3 - Sonatina in Classical style

Section 28: Manual Books

Lecture 54 Complete Method for Accordion - Book I

Lecture 55 Complete Method for Accordion - Book II

This course are for those who want to learn to play the accordion from basic skills and techniques.