Behold Orpheus, the singing shepherd who braved the Underworld to bring back Eurydice. The only human to conquer death, this famous Thracian bard is the hero of the French cantatas that flourished between 1710 and 1730. They paint a picture of the faithful husband’s burning ardour and pleas, his hypnotic song that won over the King of Darkness, his furtive glance that would forever rob him of his beloved; these are miniature operas, their intense poignancy rendered by the chamber choir that magnificently envelops the singer. This fine team masterfully weaves a tapestry of emotions, the early gems of the Rocaille period, offering a sequel to the Coucher du Roi with which they gifted us two years ago. This truly is the spirit of Versailles.

The Leçons de Ténèbres (Tenebrae Lessons) fall within the tradition of French sacred music under the reigns of Louis XIV and Louis XV. These late-night services during Holy Week, which set the lamentations of the prophet Jeremiah to music, find three successive visions in Lalande (Versailles), Fiocco (Brussels) and Pollio (Northern France), in which an increasing theatricality and Italianness emerge. With her Ensemble Léviathan, Lucile Tessier crafts a showcase worthy of the King's Chamber for the melismas of the Soprano Eugénie Lefebvre: the shadows come alive, a long lamentation rings out from the abysses, in the flickering flame of candlelight…