Disillusioned: Victorian Photography and the Discerning Subject
Jordan Bear, "Disillusioned: Victorian Photography and the Discerning Subject"
English | ISBN: 0271065028 | 2016 | 216 pages | AZW3 | 2 MB
English | ISBN: 0271065028 | 2016 | 216 pages | AZW3 | 2 MB
How do photographs compel belief and endow knowledge? To understand the impact of photography in a given era, we must study the adjacent forms of visual persuasion with which photographs compete and collaborate. In photography's early days, magic shows, scientific demonstrations, and philosophical games repeatedly put the visual credulity of the modern public to the test in ways that shaped, and were shaped by, the reality claims of photography. These venues invited viewers to judge the reliability of their own visual experiences. Photography resided at the center of a constellation of places and practices in which the task of visual discernment'of telling the real from the constructed'became an increasingly crucial element of one's location in cultural, political, and social relations. In Disillusioned: Victorian Photography and the Discerning Subject
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