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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Heidegger's Turn To Art: The Uses of Rhythm

    Posted By: roxul
    Heidegger's Turn To Art: The Uses of Rhythm

    Christopher Fynsk, "Heidegger's Turn To Art: The Uses of Rhythm"
    English | ISBN: 1350410039 | 2025 | 214 pages | PDF | 2 MB

    In this major new contribution to Heidegger studies, Christopher Fynsk provides an original account of Heidegger’s reflections on art, and in particular the poetic work of art, to explore the central yet overlooked Heideggerian idea that all art has a rhythmic character. Following the development of Heidegger’s thoughts on rhythm, this book focuses especially on the critical moment of Heidegger’s turn to art in the mid-1930s and his reading of Friedrich Hölderlin’s river hymns. This not only allows for a new reading of his monumental essay “The Origin of the Work of Art”, but also a sustained analysis of his engagement with Hölderlin and Aristotle. Importantly, it further reveals the centrality of rhythm to Heidegger’s thought and its relation to his other ideas. Indeed Fynsk connects rhythm to Heidegger’s theorization of usage, “der Brauch”, and in turn the role of usage to his reflections on the relation between being and human being. Drawing on a wide range of art, from cave paintings to Francis Bacon, this is a significant and insightful study of the ontology of rhythm in Heidegger and beyond.
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