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Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

Posted By: arundhati
Date: 28 May 2024 04:39:23
Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

Qiliang He, "Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966 "
English | ISBN: 9888805606 | 2023 | 180 pages | EPUB | 20 MB

An examination of five Shanghai-based filmmakers under Mao's sociopolitical system.

In Working the System, Qiliang He inquires into the making of the new citizenry in Mao-era China by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals’ subjectivities took shape in the cinematic arena under a new sociopolitical system after 1949. He suggests that a filmmaker’s subjectivity was not fixed or stable but constantly in flux, requiring a host of “subjectivizing practices” to (re)shape and consolidate it. These filmmakers endeavored to reap maximal benefits from Mao’s sociopolitical system and minimize the disadvantages that would make them victims under the system. In short, Qiliang He argues that the filmmakers not only worked under the socialist system imposed upon them but also worked the system in their best interests.
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