Tags
Language
Tags
October 2025
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Historical Dictionary of Irish Cinema

    Posted By: tot167
    Historical Dictionary of Irish Cinema

    Roderick Flynn, “Historical Dictionary of Irish Cinema”
    The Scarecrow Press, Inc. | 2007-08-28 | ISBN: 0810855577 | 432 pages | PDF | 1,2 MB

    For a relatively small country, Ireland has an impressively large
    and dynamic film industry. This might very well not be the case,
    however, had it not been for the efforts of countless actors, directors,
    entrepreneurs, and—more recently—politicians. There has always
    been an Irish passion for cinema (as there has been a passion for literature
    and theater), but the recent expansion might not have happened
    had the state not intervened to make Ireland an attractive and
    lucrative production location. The result has been not only more but
    often better films, and a shift from provincial subjects to those that
    are more universal in nature and thus able to attract larger box-office
    receipts and foreign audiences.
    This progression in Irish cinema is related first in a chronology and
    introduction, which trace over a century of history; a dictionary, with
    several hundred entries on the pioneers and current leaders in the industry,
    actors and directors, authors, distributors and exhibitors, schools
    and arts centers, government bodies and legislation, and above all the
    films and recurrent themes; and a bibliography, to enable interested
    readers to further explore any areas of particular interest. This Historical
    Dictionary of Irish Cinema is an excellent place to start and to come
    back to periodically for further information.
    Patrick (Pat) Brereton and Roderick (Roddy) Flynn are two specialists
    on Irish cinema who were born and educated largely in Ireland.
    At present, both are employed by the Dublin City University’s
    School of Communications, where Dr. Brereton is a lecturer in film
    and media studies and chair of the bachelor’s program in multimedia,
    and Dr. Flynn is a lecturer and chair of the master’s program in film
    and television. Both have written extensively not only on Irish cinema
    but also on cinema more broadly. A reference book like this was
    a new venture for them, but they have achieved a wonderful result—
    a useful tool for their students and others, both at home and abroad.







    Only RS mirrors, please