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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    James Tenney - A History of 'Consonance' and 'Dissonance'

    Posted By: erus
    James Tenney - A History of 'Consonance' and  'Dissonance'

    James Tenney - A History of 'Consonance' and 'Dissonance'
    Excelsior Music Publishing Co. | ISBN: 0935016996 | 1988 | PDF | 117 pages | 41 MB


    There is surely nothing in the language of discourse about music that is mote burdened with purely semantic problems than are the terms consonance and dissonance. A comparison of some of the definitions of these words to be found in current dictionaries, harmony textbooks, and books on musical acoustics indicates that there is considerable confusion and disagreement as to their meaning—if indeed there is any meaning still to be attributed to them.

    This book discusses consonance and dissonance from antiquity trough the ars antiqua, from ars nova through the seconda practica, from Rameau to the late 20th century.


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