"Arrau is the complete pianist. He can revel in the keyboard for its own pianistic sake, representing to us the instrument's range and power, but he can also go beyond piano playing as we are led by his art to the secret chambers of the creative imagination."
– Sir Neville Cardus (Guardian, London)

“…an exciting technique and keen intelligence animated by an impetuous temperament…a remarkable talent.”

(The New York Times)

Clearly born for Chopin, her playing is a marvel of the most refined fluency and affection . . . Fliter will make lesser pianists wonder at her effortless musical grace and unfaltering command.
Gramophone

Mikhail Pletnev is a brilliant musician, an amazing pianist and an idiosyncratic conductor, and he has made a glorious mess of the Beethoven symphonies. The seesawing of tempos in this compelling, driving and sometimes shocking set induce now motion sickness, now awe . . . it demands to be heard.
Anthony Tommasini, The New York Times / 30. November 2007

In 2010, Maestro Riccardo Chailly records Johann Sebastian Bach for Decca for the very first time with 3 releases. Having conducted the illustrious Gewandhaus Orchestra since 1986, this esteemed conductor's association with Leipzig is but one year less than Bach's. Chailly's profound musicality illuminates three of Bach's large-scale masterpieces: The St. Matthew Passion, the Brandenburg Concertos and the Christmas Oratorio. Played on modern instruments, Chailly's Bach beautifully demonstrates that vivid, stylistically aware performance is not the exclusive preserve of period instrument ensembles. The first release from this trilogy, the Brandenburg Concertos, showcases the Orchestra's expert soloists. Collectively, they celebrate the orchestra's renaissance under its charismatic Italian music director.