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    Ferenc Fricsay, Radio-Symphonie-Orchester Berlin - Wolfgang Amadeus Mozart: Grosse Messe C-moll (1989)

    Posted By: ArlegZ
    Ferenc Fricsay, Radio-Symphonie-Orchester Berlin - Wolfgang Amadeus Mozart: Grosse Messe C-moll (1989)

    Ferenc Fricsay, Radio-Symphonie-Orchester Berlin - Wolfgang Amadeus Mozart: Grosse Messe C-moll (1989)
    EAC | FLAC | Image (Cue & Log) ~ 322 Mb | Total time: 63:46 | Scans included
    Classical | Label: Deutsche Grammophon | # 429 161-2 | Recorded: 1960

    This 1960 recording of the Great C Minor Mass is here released under the Deutsche Grammophon Originals umbrella, and is thoroughly deserving of the accolade. This is an account of the work which is completely uninfluenced by authentic practice–if you're already curling your lip, then please stop here–but which establishes its own terms of performance with such assurance that it's almost impossible to resist. The forces (both orchestral and choral) are large but by no means unwieldy, and directed with infectious and spirited enthusiasm by Fricsay. The effect is one of solidity and grandeur, but without any hint of pomposity: indeed, the jubilant choruses of the Gloria have an almost childlike glee about them.

    Bruno Boterf, Ludus Modalis - Claudio Monteverdi: Vespro della Beata Vergine (2018)

    Posted By: ArlegZ
    Bruno Boterf, Ludus Modalis - Claudio Monteverdi: Vespro della Beata Vergine (2018)

    Bruno Boterf, Ludus Modalis - Claudio Monteverdi: Vespro della Beata Vergine (2018)
    EAC | FLAC | Image (Cue & Log) ~ 418 Mb | Total time: 90:37 | Scans included
    Classical | Label: Ramée | # RAM1702 | Recorded: 2017

    The present recording constitutes more than just a new version of the Vespers. It is the first recording of the Vespers in the alternative version proposed by the composer, without concertato instruments. It reveals the underlying matrix of the work we all know, the ‘original version’ to which Monteverdi added concertato instruments for use in large-scale performances. Respecting the structure of the Office of Vespers, Ludus Modalis has chosen to frame the psalms with the antiphons corresponding to a Marian ceremony.

    Sigvards Klava, Latvian Radio Choir - Komitas: Divine Liturgy (Arr. Vache Sharafyan) (2020)

    Posted By: ArlegZ
    Sigvards Klava, Latvian Radio Choir - Komitas: Divine Liturgy (Arr. Vache Sharafyan) (2020)

    Sigvards Klava, Latvian Radio Choir - Komitas: Divine Liturgy (Arr. Vache Sharafyan) (2020)
    EAC | FLAC | Image (Cue & Log) ~ 323 Mb | Total time: 79:47 | Scans included
    Classical | Label: Delos Records | # DE 3590 | Recorded: 2019

    A wonderful concert version of the revered Komitas Divine Liturgy! Here the great Komitas work is transformed into a concert mass in the first-ever recording of this appealing mixed choir version. This version was beautifully arranged and edited by the brilliant Armenian composer Vache Sharafyan. In his arrangement, the added colors of female voices increase the beauty of the work. This version is also concert length, which means that it is appropriately shorter and more accessible than the original.

    Charles Cole, London Oratory Schola Cantorum - Sacred Treasures of Rome (Palestrina & His Contemporaries) (2025)

    Posted By: ciklon5
    Charles Cole, London Oratory Schola Cantorum - Sacred Treasures of Rome (Palestrina & His Contemporaries) (2025)

    Charles Cole, London Oratory Schola Cantorum - Sacred Treasures of Rome (Palestrina & His Contemporaries – A Golden Age of Polyphony in Rome) (2025)
    FLAC (tracks), Lossless | 1:00:06 | 307 Mb
    Genre: Classical

    The London Oratory Schola Cantorum—whose singers have an average age in this recording of just fourteen, across all four voice parts—celebrates the quincentenary of Palestrina’s birth with a selection of his motets, together with works by some of the other composers active in sixteenth-century Rome.

    René Jacobs, Akademie für Alte Musik Berlin, RIAS-Kammerchor - Johann Sebastian Bach: Messe in H-moll (2006)

    Posted By: ArlegZ
    René Jacobs, Akademie für Alte Musik Berlin, RIAS-Kammerchor - Johann Sebastian Bach: Messe in H-moll (2006)

    René Jacobs, Akademie für Alte Musik Berlin, RIAS-Kammerchor - Johann Sebastian Bach: Messe in H-moll (2006)
    EAC | FLAC | Image (Cue & Log) ~ 490 Mb | Total time: 55:50+54:23 | Scans included
    Classical | Label: Berlin Classics | # 0184012BC | Recorded: 1992

    Das erstklassige Solistenensemble, der RIAS-Kammerchor und die Akademie für Alte Musik Berlin und nicht zuletzt Jacobs selbst sind Garanten für lebendige historische Aufführungspraxis, so dass diese Interpretation der h-Moll Messe von der Fachpresse entsprechend enthusiastisch aufgenommen und den wenigen Referenzeinspielungen an die Seite gestellt wurde.

    Ludger Rémy, Telemann Kammerorchester Michaelstein - Georg Philipp Telemann: Der Tod Jesu (2000)

    Posted By: ArlegZ
    Ludger Rémy, Telemann Kammerorchester Michaelstein - Georg Philipp Telemann: Der Tod Jesu (2000)

    Ludger Rémy, Telemann Kammerorchester Michaelstein - Georg Philipp Telemann: Der Tod Jesu (2000)
    EAC | FLAC | Image (Cue & Log) ~ 336 Mb | Total time: 76:12 | Scans included
    Classical | Label: CPO | # 999 720-2 | Recorded: 1999

    There's nothing meek or morbid about Telemann's 'Jesu' in this passion oratorio. This is a confident muscular Jesu, closer to the Saxon Heliand than to the Man of Sorrows depicted on the CD cover; the first aria proclaims Him a hero: "Du Held… du kannst und willst mein Schutzgott sein." (You Hero… you can and will be my Protector-God.) Before that, the Siegfriedesque cantabile for horn that opens the composition sounds not so much like a lament as a call to don one's spiritual armor, and throughout the whole text Jesu is portrayed as indomitable amid the torment and agony of his followers. Specifically, He is the Lion of Judah, the model of Christian fortitude against all enemies.

    Antonio Frigé, Ensemble Pian & Forte - Tommaso Bernardo Gaffi: La forza del divino amore (2004)

    Posted By: ArlegZ
    Antonio Frigé, Ensemble Pian & Forte - Tommaso Bernardo Gaffi: La forza del divino amore (2004)

    Antonio Frigé, Ensemble Pian & Forte - Tommaso Bernardo Gaffi: La forza del divino amore (2004)
    EAC | FLAC | Image (Cue & Log) ~ 306 Mb | Total time: 63:05 | Scans included
    Classical | Label: Chandos | # CHAN 0710 | Recorded: 2004

    Bernardo Gaffi's 'La forza del divino amore' (The Power of Divine Love) is an intriguing rarity, and receives its premiere recording on the Chaconne label. It is an oratorio (for chamber forces with solo trumpet), one of eight by the composer which were popular in their day, and it is based on an episode in the life of St Teresa of Ávila. It is a beautiful score, performed by Ensemble 'Pian & Forte', a group formed in 1989 and dedicated to rediscovering and performing works of seventeenth and eighteenth centuries. The Ensemble is joined by three vocal soloists, renowned exponents of the music of this period.

    Gabriel Garrido, Ensemble Elyma - Opera baroque en Amerique Latine [4 CD] (2001)

    Posted By: ArlegZ
    Gabriel Garrido, Ensemble Elyma - Opera baroque en Amerique Latine [4 CD] (2001)

    Gabriel Garrido, Ensemble Elyma - Opera baroque en Amerique Latine (2001)
    EAC | FLAC | Image (Cue & Log) ~ 1.36 Gb | Total time: 278:45 | Scans included
    Classical | Label: K617 | # K 617 132/4 | Recorded: 1996, 1999, 2000

    S'il est un exemple en France d'éditeur indépendant dynamique, c'est bien celui du label lorrain K.617. Depuis le début des années 90, celui-ci, sous la houlette d'Alain Pacquier, explore, défriche des terres musicales jusque-là inconnues de nos contemporains. Il faut dire que le répertoire exhumé est celui d'Amérique latine ; autrement dit, K.617 a fait ici œuvre de pionnier en révélant aux discophiles des merveilles sonores insoupçonnées. Comme en témoignent la réédition de La Purpura de la Rosa et des musiques extraites de la Mission San Francisco Xavier : des pièces issues du riche patrimoine baroque d'Amérique latine, où tout virevolte, où les rythmes s'entrechoquent, où les voix émeuvent par leur prégnance et la richesse de la palette expressive. Des (re)découvertes qui ne peuvent laisser insensible.

    Michel Corboz, Chœur & Orchestre Gulbenkian - Felix Mendelssohn-Bartholdy: Psalms 42, 95, 115 (1993)

    Posted By: ArlegZ
    Michel Corboz, Chœur & Orchestre Gulbenkian - Felix Mendelssohn-Bartholdy: Psalms 42, 95, 115 (1993)

    Michel Corboz, Chœur & Orchestre Gulbenkian - Felix Mendelssohn-Bartholdy: Psalms 42, 95, 115 (1993)
    EAC | FLAC | Image (Cue & Log) ~ 335 Mb | Total time: 70:00 | Scans included
    Classical | Label: Erato | # 2292-45490-2 | Recorded: 1977, 1978

    Throughout these sessions, Michel Corboz defended a clear, fluid vision of Mendelssohn's choral music. Without exaggerating, he underscored the references to J. S. Bach or Handel, of whom the composer was so fond – the beginning of Psalm 115, with its colours, distinctly evokes the Cantor's Passions. As for the chorus ‘Kommt herzu’ from Psalm 95, it attests to the thoroughly religious fervour and solemn grandeur that incontestably innervate the Swiss conductor's interpretations.

    Louis Devos, Musica Polyphonica - Ferdinand Schubert: Requiem, Hirtenmesse, 3 Motets (1988)

    Posted By: ArlegZ
    Louis Devos, Musica Polyphonica - Ferdinand Schubert: Requiem, Hirtenmesse, 3 Motets (1988)

    Louis Devos, Musica Polyphonica - Ferdinand Schubert: Requiem, Hirtenmesse, 3 Motets (1988)
    EAC | FLAC | Image (Cue & Log) ~ 233 Mb | Total time: 57:53 | Scans included
    Classical | Label: Erato | # ECD 75386 | Recorded: 1987

    Until the arrival of this disc, practically all I knew about Ferdinand Schubert was that he had tended his younger brother Franz in his final illness, that in his two marriages he had fathered more children even than Bach in his (29, to be precise), and that he had composed a quantity of church music, among which was a Requiem described as his Op. 2 which in fact had been written for him—most willingly—by his 21-year-old brother.

    Philippe Pierlot, Ricercar Consort - Dieterich Buxtehude: Membra Jesu nostri (2019)

    Posted By: ArlegZ
    Philippe Pierlot, Ricercar Consort - Dieterich Buxtehude: Membra Jesu nostri (2019)

    Philippe Pierlot, Ricercar Consort - Dieterich Buxtehude: Membra Jesu nostri (2019)
    EAC | FLAC | Image (Cue & Log) ~ 387 Mb | Total time: 79:43 | Scans included
    Classical | Label: Mirare | # MIR444 | Recorded: 2018

    In 1680, Dietrich Buxtehude sent his friend Gustav Düben the score of Membra Jesu nostri. In this perfectly balanced work, he addresses the senses directly, immersing us in the sufferings of Christ: we feel the hammer blows, the heart that stops beating…

    Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale - Felix Mendelssohn-Bartholdy: Motets & Psaumes (1984)

    Posted By: ArlegZ
    Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale - Felix Mendelssohn-Bartholdy: Motets & Psaumes (1984)

    Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale - Felix Mendelssohn-Bartholdy: Motets & Psaumes (1984)
    EAC | FLAC | Image (Cue & Log) ~ 197 Mb | Total time: 51:33 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 901142 | Recorded: 1984

    “What seems to me to be Mendelssohn’s principal quality is his crystalline clarity. (…) It makes him one of the great composers of religious music. In the direct line of the great predecessors he admired so much, it made it possible for him to efface himself before the divine word and to set it to music with all necessary humility. This is what constitutes the force of the music on this recording.” – Philippe Herreweghe

    A Sei Voci - Pietro Paolo Bencini: Vesperae Beatae Virginis In Sancto Petro Romae (1995)

    Posted By: ArlegZ
    A Sei Voci - Pietro Paolo Bencini: Vesperae Beatae Virginis In Sancto Petro Romae (1995)

    A Sei Voci - Pietro Paolo Bencini: Vesperae Beatae Virginis In Sancto Petro Romae (1995)
    EAC | FLAC | Image (Cue & Log) ~ 300 Mb | Total time: 69:53 | Scans included
    Classical | Label: Astrée / Audivis | # E 8540 | Recorded: 1995

    Pietro Paolo Bencini (1675? -1755) was one of the most important figures in the musical life of Rome in the eighteenth century. His sacred music is on the same level as that of Alessandro Scarlatti. This is evident from the fact that much of his music can be found in copies even outside Europe. The most important part of his oeuvre is in the collection of the 'Cappella Guilia', now the library of the Vatican. Bencini worked as 'maestro di cappella' in the basilica of San Lorenzo in Damaso and from 1743 in St. Peter's of Rome; an important job. His style is festive, full of contrasts and smooth melodic lines.

    Cristina Garcia Banegas, Jean-Claude Malgoire, Gabriel Garrido - Mexique - Nouvelle Espagne (2002)

    Posted By: ArlegZ
    Cristina Garcia Banegas, Jean-Claude Malgoire, Gabriel Garrido - Mexique - Nouvelle Espagne (2002)

    Cristina Garcia Banegas, Jean-Claude Malgoire, Gabriel Garrido - Mexique - Nouvelle Espagne (2002)
    EAC | FLAC | Image (Cue & Log) ~ 896 Mb | Total time: 63:26+61:36+62:12 | Scans included
    Classical | Label: K617 | K617122 | Recorded: 1992, 1998, 2001

    Francisco Lopez Capillas was born in 1608 in Mexico City, and studied plainchant and polyphonic composition at the Royal and Pontifical University before assuming the post of chorister and second organist at Puebla Cathedral in 1641. Although most of his significant works were composed toward the end of his life–and thus well into what is generally regarded as the baroque period–the Messe de la Bataille is, like many of his other works, ambiguous in its relationship to the musical innovations that were taking place in the old world at the time.

    Lucien Kandel, Ensemble Musica Nova ‎- Johannes Ockeghem: Missa Cuiusvis Toni (2007)

    Posted By: ArlegZ
    Lucien Kandel, Ensemble Musica Nova ‎- Johannes Ockeghem: Missa Cuiusvis Toni (2007)

    Lucien Kandel, Ensemble Musica Nova ‎- Johannes Ockeghem: Missa Cuiusvis Toni (2007)
    EAC | FLAC | Image (Cue & Log) ~ 519 Mb | Total time: 115:06 | Scans included
    Classical | Label: æon | AECD 0753 | Recorded: 2006

    With the Missa cuiusvis toni, Ockeghem achieves a veritable tour de force: a work having the advantage of being able to be executed in all church modes. In an era when composers vied with each other in virtuosity, this mass 'in whatever tone' became an unsurpassable model. Musica Nova recreates the four versions here for the first time on disc.