The King's Noyse are a terrific ensemble who have made a lot of very good discs indeed over the years. This is among them. It is billed as a disc from 1995 of dance music and song from Italy between about 1580 and 1650, which though strictly accurate, may be a little misleading. Lively dance rhythms are certainly there, but a good deal of the disc is contemplative and sometimes rather melancholy in feel. There are single works by both Monteverdi and Gesualdo but the other works are largely by much more obscure composers, and although I know a little of some like Rovetta and Castello, most were completely new to me. I always like to be introduced to new composers, and the music is very fine throughout the disc.

Apartment House play a series of works by Ryoko Akama, based on research she conducted at the Kryzstof Kieslowski archive in Poland.

What you will find on this disc is A) contrapunctus I-IX played on two different organs in 1962; B) contrapunctus I II & IV from a1981 TV broadcast; C) contrapunctus IX XI & XIII in mono from a radio broadcast in 1967; D) the unfinished contrapunctus XIV from what may or may not be the same TV broadcast as B); and as a final filler E) a prelude and fugue on the name BACH from a studio recording in 1980. Items B)-E) are given on the piano.

Third ECM release dedicated to new works by Austrian composer Thomas Larcher (born 1963). This is contemporary music full of infectious rhythmic energy, imbued by grippingsonic ideas. Larcher juxtaposes tonal harmony and avantgardistic compositional technique in most original ways. Larcher's works reenact traditional musical forms such as the solo concerto or the string quartet with great sense for existential drama. His music is performed around the world by leading international musicians, and his reputation is growing also in the United States.

The complete edition of Robert Schumann's symphonic works with the WDR Symphony Orchestra Cologne under Heinz Holliger is now available as a 6 album set.

Joe Hisaishi conducts Beethoven. Featuring Symphony No. 1 to 9 on five discs. Performed by the Future Orchestra Classics (Nagano Chamber Orchestra)

Following their album of French music for two pianos, father and son Vladimir and Vovka Ashkenazy revel in their musical heritage with this dazzling programme by the great composers of Russia, with Rachmaninov's two-piano Suite No.1 at its heart. Three of the works have been arranged by Vovka Ashkenazy himself, including Mussorgsky's Night On The Bald Mountain and the album's virtuosic finale - Borodin's Polovtsian Dances from his opera Prince Igor. His two-piano arrangement of Glinka's lilting Valse-fantaisie is itself based on Sergei Lyapunov's arrangement for four hands. The two works originally written for two pianos are Rachmaninov's poetic Suite no 1, Op. 5 "Fantaisie Tableaux" (which the young composer dedicated to another giant of Russian music - Piotr Tchaikovsky) and the Fantasy in A minor by Rachmaninov's contemporary at the Moscow Conservatoire, Scriabin.

Enigma Variations is the work that secured Elgars reputation as a composer of international significance. The 14 variations are all character portraits of friends, including his wife and the composer himself, the most famous being the ninth, the achingly nostalgic Nimrod. The Cello Concerto is Elgars last substantial work and has become not only one of his best loved, but also one of the most popular concertos ever written for the instrument.

Few contemporary artists have been as significant as Pulitzer Prize and GRAMMY Award winner Christopher Rouse, whose imaginative approach made him one of the most frequently performed composers during his lifetime. The Concerto for Orchestra is a ‘hyper-concerto’ that gives each player a chance to shine, while the mournful intimacy and passion of Supplica unfolds somewhat like the slow movement of a Bruckner or Mahler symphony. Rouse’s Fifth Symphony fondly recalls Beethoven’s mighty Fifth but blurs the lines between tradition and modernity, transporting the listener from turbulence to serenity. It was described as “brilliant, exciting and at times hauntingly beautiful” in The Dallas Morning News.

Thomas Dausgaard's recordings with the Swedish Chamber Orchestra of three of Franz Schubert's middle symphonies are displays of authentic period practice in state-of-the-art reproduction, and it's a winning combination. The watchword here is clarity, because these symphonies are models of Classical form and precision, with orchestral writing that is utterly transparent and ideally balanced, so the music is only enhanced by the spacious multichannel recording and direct stream digital processing. The Swedish Chamber Orchestra offers pristine string sonorities, and the winds have the distinctive and slightly pungent timbres of the 18th and early 19th century instruments Schubert knew. Dausgaard's interpretations are clearheaded and meticulous, and it's obvious that his musicians respond to his cogent direction with energy and enthusiasm. BIS recorded these performances on different occasions between 2009 and 2011 in the Örebro Concert Hall in Sweden, so in spite of the breaks between sessions, there is consistently superb sound quality, thanks to the first-rate engineering team and the unchanging venue. Highly recommended.

Famed for his Debussy playing, the pianist Philippe Cassard brings his acute ear for instrumental color to these deceptively simple miniatures. Like Grieg’s Lyric Pieces, Mendelssohn’s Songs Without Words requires a master pianist’s touch, and Cassard is fully up to the challenge. He plays with an accompanist’s sensitivity (he works regularly with the soprano Natalie Dessay) and brushes in the melodies with real skill. His control of line is effortless, and the music simply flows on the wings of song.

This release in Praga's Reminiscences series of SACD remasterings features the great Russian conductor Yevgeny Mravinsky leading the Leningrad Philharmonic in recordings of two masterpieces of the Romantic repertoire. Brahms's refined and intellectually complex Symphony No.4 is paired with the rich, heart-on-sleeve passion of Tchaikovsky's Symphony No.5 – one of the composer's best loved works.

Franco Zeffirelli's Romeo & Juliet Soundtrack album by Prague Philharmonic Orchestra was released Jun 25, 2002 on the Silva Screen label. This complete score to the 1968 version of ROMEO & JULIET was re-recorded by The City Of Prague Philharmonic Orchestra And Chorus.

With this disc, Vladimir Ashkenazy, celebrated for his readings of Rachmaninoff and Chopin, and his son, Vovka, take on music by Debussy and Ravel for two pianos, and the results, utterly unlike virtually anything Ashkenazy père has ever recorded before, make it a real winner. From the electric excitement of the opening En blanc et noir, through the hazy mysteries of Jeux, and the luminous colors of the Rapsodie espagnole, to the inexorable hysteria of La Valse, Ashkenazy père and fils turn in performances that match the music for poise, drive, and technical brilliance. Some might find their sonorities a bit hard-edged at points – should the opening of En blanc et noir and the close of La Valse really be hit so strongly? – but the results are so consistently thrilling that most listeners are likely to be swept away. Recorded in close but clear and vivid digital sound, this disc may not be for every Debussy and Ravel fan, but it should certainly appeal to fans of Ashkenazy.

The Photographer is a three-part mixed media performance accompanied by music (also sometimes referred to as a chamber opera) by composer Philip Glass. The libretto is based on the life and homicide trial of 19th-century American photographer Eadweard Muybridge. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam.