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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Nicholas Mirzoeff, "An Introduction to Visual Culture"

    Posted By: TimMa
    Nicholas Mirzoeff, "An Introduction to Visual Culture"

    Nicholas Mirzoeff, "An Introduction to Visual Culture"
    1999 | ISBN: 0415158753 | English | EPUB | 292 pages | 7.1 MB

    This is a wide-ranging and stimulating introduction to the history and theory of visual culture from painting to the computer and television screen. It will prove indispensable to students of art and art history as well as students of cultural studies.
    Mirzoeff begins by defining what visual culture is, and explores how and why visual media - fine art, cinema, the Internet, advertising, performance, photography, television - have become so central to contemporary everyday life. He argues that the visual is replacing the linguistic as our primary means of communicating with each other and of understanding our postmodern world.

    Part One of the Introduction presents a history of modern ways of seeing, including:
    * the formal practices of line and colour in painting
    * photographys claim to represent reality
    * virtual reality, from the nineteenth century to the present.

    In Part Two, Mirzoeff examines:
    * the visualization of race, sexuality and human identity in culture
    * gender and sexuality and questions of the gaze in visual culture
    * representations of encounters with the other, from colonial narratives to Science Fiction texts such as The Thing, Independence Day, Star Trek and The X-Files
    * the death of Princess Diana and the popular mourning which followed as marking the coming of age of a global visualized culture.