The Big Boss is Jim Maloney (Otto Kruger), who pulls all the political strings in an unnamed major metropolis. Maloney's chief antagonist is scrupulously honest "reform" governor Bob Dugan (John Litel). The fact that Maloney and Dugan are actually brothers, orphaned in childhood and raised separately, adds both texture and poignancy to their current adversarial relationship. Intending to reveal his fraternal ties to Dugan at a crucial moment in the latter's anti-corruption campaign, Maloney is ultimately defeated by the forces of Righteousness. Outside of the always dependable Otto Kruger and John Litel, the film's best performance is delivered by the underrated Gloria Dickson as a fairly realistic newspaperwoman.

Set in a rural village in the Shinshu region, this melodrama about lovers of different social classes spans two generations: that of a mother, and her son. It depicts the anguish of people entangled in an old and exclusionary value system, and their escape from it, with numerous long shots and an experimental approach that intertwines two timelines.

An konkreten Fallbeispielen werden betriebswirtschaftliche Abläufe leicht verständlich dargestellt, interaktive Übungen helfen Ihnen, das Gelernte sofort zu festigen. Sie werden sehen: Im Nu verstehen Sie kaufmännische Zusammenhänge besser und können sich kompetenter in Ihre Arbeit einbringen. Die Lerninhalte sind so aufbereitet, dass Sie auch ohne BWL-Studium nach Durcharbeiten der Lektionen alle relevanten Begriffe aus dem Bereich der Kostenrechnung verstehen, preispolitische Entscheidungen treffen und unternehmerisch denken können.

After a family is involved in an accident, they take refuge in a secluded inn where they free a girl locked in a basement without knowing she's an ancient evil spirit.

J. P. Tannen takes his three children for a vacation cruise. They usually live with their mother and step-father, but now J. P. feels capable of taking them. Emotional tragedy strikes, causing battles parent against parent, and parent against child. J. P. tries to show his children that he loves them.

One of the last discoveries on Sam Phillips' legendary Sun label, piano player Carl Mann was best known for his rockabilly reworking of the Nat "King" Cole pop standard "Mona Lisa." That million-selling hit positioned him as something of a softer, smoother Jerry Lee Lewis, possessed of a crooner's instincts and a velvety vibrato. Unfortunately, Mann was never able to land another hit on the level of "Mona Lisa," despite waxing a fair amount of high-quality rock & roll. Like many early rock vets, he eventually moved into country music when the rockabilly market dried up, but never successfully established himself in that arena, and gradually drifted out of music.

A first time drug mule is caught by law enforcement.