French composer Hector Berlioz wrote a number of "overtures," many of which have become popular concert works. They include true overtures, intended to introduce operas, but also independent concert overtures that are in effect the first orchestral tone poems.

Unreleased material from Joe McPhee's archives, three live settings of the saxophonist and pocket trumpeter in upstate NY: a quartet with vibraphonist Ernie Bostic and the rhythm section of Tyrone Crabb and Bruce Thompson live at Vassar College; live in New Windsor with saxophonist Reggie Marks; and an outdoor concert at Poughkeepsie's Lincoln Centre.

Deux femmes et deux hommes : la parité est respectée pour ces quatre sonates à titre de Beethoven.

An unheard recording of a 1968 high school performance by jazz great Thelonious Monk, Palo Alto, is set for release by Impulse! Records on 31 July. It will mark his posthumous debut on the revered label. The surprise performance came about after 16-year-old high school student Danny Scher had a dream to invite the storied pianist and composer and his all-star quartet to perform a concert at his local high school in Palo Alto, California. Against a backdrop of racial tension and political volatility, the concert took place on 27 October 1968, and was recorded by the school’s janitor.

The Doors had one of the most extraordinary debut years in music history in 1967, releasing a string of hit singles and two platinum albums, beginning in January with the band’s self-titled debut, followed by Strange Days in September. The latter peaked at #3 on the Billboard album chart and featured classics like “Love Me Two Times,” “When The Music’s Over,” and the title track “Strange Days.”

The great bassist and composer Charles Mingus had his diehard supporters and detractors. His explosive intermingling of devil may care attitude, imposing character and aggressive music was sure to rub some listeners the wrong way and was just as likely to attract adventurous fans. But his genius could not be denied; it just may have taken some time to break down barriers.

His highly distinctive trumpet playing and his remarkable achievements as one of the chief architects of New Orleans R&B during the late '40s and early '50s as a producer (notably of Fats Domino) and his prolific song writing attracted a considerable amount of attention. However what is often neglected when discussing his career are his own recordings and this 2CD set from Jasmine attempts to collect together all of these recordings for Imperial records between 1950 and 1962. Features 57 superb slices of early New Orleans R&B with tracks such as 'Jump Children', 'Shrimp and Gumbo', 'Hard Times (The Slop)' 'When The Saints Come Marching In Boogie' and his first version 'Little Girl Sing Ding-A-Ling' which later became a hit for Chuck Berry in 1972.

Four-part double CD series - comprehensive and first cross-label documentation of the only relevant German contribution to the international phenomenon of rock music.

This is classic raw British blues-rock with a slightly prog edge and features a ‘juggernaut’ of riffs. The audio has been remastered and this comes with two bonus tracks; the mono single cut of ‘BDD’ plus the B-side of that single, a brilliant solo acoustic McPhee performance of ‘Gasoline’.

When Angels Speak of Love, released in 1966 on Sun Ra's Saturn label, is a rarity, there having been limited pressings (150 copies, by one estimate), which were sold thru the mail and at concerts and club dates. The tracks were taped in New York during two 1963 sessions at the Choreographer's Workshop, a rehearsal space/recording den with warehouse acoustics. Ra spent countless hours at the CW from 1961 to 1964 sharpening the Arkestra during exhaustive musical huddles. John Corbett calls this "one of the most continuous, best-documented periods of Ra's work"; much tape from these seminal sessions has survived and been issued on LP, CD and digitally.

On the original 1965 The Magic City LP, issued on Saturn, the monster 27-1/2 minute title track sprawled across side A. Ra customarily supervised the Arkestra's improvisational process via keyboard cues or hand signals. He was always in charge—hence critic Simon Adams describing the title track as "27 minutes of controlled freedom." "The Magic City" was never performed in concert; saxophonist John Gilmore said it was "unreproducible, a tapestry of sound." Although shorter in scope than side A's magnum opus, the four works on The Magic City's flip side reflect the same improvisational approach, spatiality, and lack of structure. One session outtake, "Other Worlds," an alternate version of "Shadow World," is included as a bonus track on side B.

Four-part double CD series - comprehensive and first cross-label documentation of the only relevant German contribution to the international phenomenon of rock music.

Four-part double CD series - comprehensive and first cross-label documentation of the only relevant German contribution to the international phenomenon of rock music.

The career of the influential Italian composer Ennio Morricone is celebrated by a new collection, Morricone Segreto, set for release through Decca Records on November 6. This brand new collection, featuring 7 previously unreleased tracks, explores what is possibly Morricone’s richest creative period, between the end of the 1960s to the early 80s, demonstrating Morricone’s long lasting influence for generations of musicians and film directors to this day.

Classic Bob Dylan songs interpreted by British artists drawn from the 60s pop, folk, beat and underground scenes.