If one had to point to a single initial salvo that launched the garage rock revival movement in the 1970s and ‘80s, it would have to be the release of Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 in 1972. Elektra Records had approached rock critic Lenny Kaye (not yet the guitarist with the Patti Smith Group) with the notion of compiling an album of great, overlooked rock tunes, but what Kaye came up with was something significantly different – an overview of the great, wild era when American bands, goaded by the British Invasion, began honing in on a tougher and more eclectic rock & roll sound, and kids were reawakened to the possibilities of two guitars, bass, and drum…

In 1964, when this concert at New York City's legendary Copacabana night club was recorded, Sam Cooke was at the top of his game, having charted numerous times with his unique blend of pop and soul. The success doesn't seem to have gone to his head, though: he sounds relaxed and conversational throughout this intimate performance. Accompanied by a band that includes Bobby Womack on guitar, Cooke brings his R&B tendencies further to the fore than on his immaculately produced studio work. He moves deftly through his own hits, like "You Send Me" and "Twistin' The Night Away," but it's on the folk songs "If I Had A Hammer" and "Blowin' In The Wind" that he really stretches out, proving himself a gifted interpreter unbound by stylistic constrictions. At The Copa is an essential part of the Cooke canon.

It is a pity that this 1998 CD reissue (which includes the original liner notes) says nothing about what ever happened to Earl Anderza. The date (which has its original eight selections augmented by "I'll Be Around" and two previously unheard alternate takes) was the altoist's only one as a leader, and he has been little heard from since. Anderza's style, while influenced to an extent by Charlie Parker and Jackie McLean, was also touched a little by Eric Dolphy. Standards mix with originals; the oddest aspect of the set is that pianist Jack Wilson switches to harpsichord (not a good move!) on a couple of the numbers. The support by either George Morrow or Jimmy Bond on bass, plus drummer Donald Dean, is subtle and swinging. Earl Anderza clearly deserved better than the total obscurity he found.

It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…

Quartet Records and MGM are proud to present the world premiere release of Michel Legrand’s complete original soundtrack from the highly sophisticated 1968 thriller The Thomas Crown Affair, the story of a Boston millionaire who puts together an insurance scam by committing holdups against himself. Brilliantly directed by Norman Jewison (Fiddler on the Roof, In the Heat of the Night, The Cincinnati Kid), and starring Steve McQueen and Faye Dunaway, the film enjoyed great critical and commercial success and has become an icon of sixties style—known for its agile and surprising editing (by Hal Ashby), Pablo Ferro’s designs, the hot chemistry between Dunaway and McQueen, the costumes, and, of course, the music. Having just moved to Los Angeles after the success of The Umbrellas of Cherbourg, Michel Legrand (The Young Girls of Rochefort, Summer of ’42, Yentl, Never Say Never Again), infused his music with a new, fresh and never-before-heard style, mixing influences of jazz, pop, Baroque and Stravinsky. It was sophisticated and chic—and worked perfectly with the film.

UMe has announced the release of a four-CD special edition of Cream’s Goodbye Tour Live 1968. Out on 7 February 2020, it will feature the first authorised appearance of three complete concerts on the band’s final US tour in October 1968, as well as the whole of their last UK date at the Royal Albert Hall in London on 26 November that year.

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released in mid 1966, on Columbia Records. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

Two classic albums on one CD, 2012 new digital remaster with full original album art in booklet. Oscar Peterson's 1962 album, Oscar Peterson Plays: West Side Story, features the pianist and his trio with bassist Ray Brown and drummer Ed Thigpen, reinterpreting compositions from the classic 1961 film version of the Broadway musical. This is a highly engaging album that showcases Peterson's trio at their finest, with some truly inventive takes on such songs as "Somewhere," "Tonight," and "Maria." Oscar Peterson's 1959 album, Play Porgy & Bess, features the pianist and his trio (with bassist Ray Brown and drummer Ed Thigpen) explore ten of the stronger themes from George Gershwin's Porgy & Bess. It is true that Peterson's version of "Summertime" will not make one forget the classic rendition by Miles Davis with Gil Evans but, as is true with all of these performances, Peterson makes the melodies sound like his own. "It Ain't Necessarily So" and "I Got Plenty O' Nuttin"' are among the more memorable selections.

The year 2017 marked the 50th anniversary of the Summer of Love. On this occasion, many finds from the London Underground music scene found their way into the public ear again. Now, with a little delay, perhaps the most important rediscovery from the time of Swingin' London is available: Iapetus presents with this compilation for the first time a comprehensive review of the work of the legendary British band Banging Colours.

Above the album worked the 'NOW Then He Kissed Me The 60s Girls ', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

2014 five CD box set containing a quintet of albums from the Scottish singer/songwriter. Each album is housed in a mini LP sleeve. Includes the albums Bedsitter Images, Love Chronicles, Zero She Flies, Year Of The Cat, Time Passages. A pair of hits – "Year of the Cat" and "Time Passages," arriving two years apart during the late 1970s – defined Al Stewart as a louche soft rock troubadour for millions of listeners. While that description is not inaccurate – Stewart had a fondness for lush studio production – it doesn't encompass everything the Scottish singer/songwriter accomplished during his lengthy career. Initially part of the British folk underground of the '60s, Stewart didn't shy away from controversy in his early years, becoming notorious for singing "f***ing" on his 1969 album Love Chronicles.

The theme song 'You're Dead' to the FX show What We Do in the Shadows has fostered a new appreciation for the singular talent that was Norma Tanega. And it's high time, too…Norma was discovered while singing to Catskill summer campers by producer Herb Bernstein, who brought her to Four Seasons songwriter Bob Crewe. Crewe signed her to his New Voice label, and success was instantaneous: the title song to Walkin' My Cat Named Dog went to #22 on the charts. But, despite the album's folk-pop trappings, Norma Tanega was not an artist destined to stay at the top of the charts for long; her voice was unconventional, and her songs were too idiosyncratic, not sticking to typical song structure or even meter (for example, 'No Stranger Am I' is set to a 5/4 time signature).

A really weird conceptual mini-masterpiece with lots of period charm. Very few actual "songs" on this outing, most of the tracks are ironic / caustic commentaries on late 60s America. Listen in wonder as Fowley takes the piss out of rock 'n' roll stardom, middle America, the hippie counter-culture, and just about everything else. 100% post-modern a decade before anybody thought up the term.

(3CD+2DVD) 50th ANNIVERSARY DELUXE EDITION. 3CDs of new & original stereo mixes, mono A & B singles & loads more + DVD-AUDIO featuring 96 kHz / 24-bit 5.1 Surround Mix & more + DVD of 1968 UK & French TV Specials.