UK three CD set. One Way Glass is a very different kind of RPM compilation. Instead of the usual cross-section of '60s collectables, this unique release takes a fresh look at British music from the late '60s through to the mid-'70s, with an eye on overlooked dancefloor-friendly finds. The rhythmic backbone of One Way Glass lies in progressive rock outfits who - every so often - would emulate their jazz heroes and record funky sides tucked away on albums or B-sides. Many of these tracks (Jonesy, Hardin & York) have been known to collectors of Funky Breaks for years. In addition, One Way Glass boasts some excellent funky Folk tracks which lighten the load for the listener - tracks by Alan James Eastwood, Bridget St. John, Dana Gillespie, Joan Armatrading and Melanie, for example. More typical funk rock selections come from Hanson (featuring future Bob Marley & The Wailers mainstay Junior Marvin on guitar) and Curtis Knight Zeus (fronted by Jimi Hendrix's old bandmate and featuring future Motorhead guitarist Fast Eddie Clarke). Maybe it all started - in terms of breaks and hip hop culture, at least - with DJ Kool Herc, who would spin key segments from old rock records to create the funky break.

Celebrating four time Academy Award and ten time Grammy Award winner, pianist, conductor, and composer André Previn, the first ever collection of André Previn's complete classical recordings for RCA Red Seal and Columbia Masterworks in a 54 CD edition. 35 years of recording history, spanning from 1960 to 1995, featuring 6 works make their first appearance on CD in this edition, newly remastered from analogue tapes, and including collaborations with Leontyne Price, Emanuel Ax, Leonard Pennario, Yo-Yo Ma, Itzhak Perlman, Julian Bream, John Williams and many more.

Luther Allison seemed to be on a roll when he died in 1998. He was back home after many years in Europe, and was winning awards and making a good living. This, his debut album, was cut in 1969 when he was 30 years old. He sang as if barely able to keep a lid on his emotion, and the elegance and precision of his guitar playing belied the fact that he had only been playing the instrument for a few years. If this debut can be faulted it's only in that it relies too heavily on overfamiliar standards like "Little Red Rooster," "Five Long Years," "Dust My Broom," "Sky Is Crying," and "Every Night About This Time." The CD reissue has been expanded with alternate takes and bonus cuts.

Two Classic Edwin Starr Albums, from 1968 and 1969, Released on One CD. All Tracks have Been Remastered and Packaging Includes a Full Color Slipcase, Rare Photos, Track Annotations, Release Info and Original LP Artwork.

This delightful LP features Art Farmer with a large orchestra not long after he switched from trumpet to flügelhorn. Oliver Nelson's arrangements provide great backdrops for the leader, as do the mix of dependable studio musicians and outstanding jazzmen assembled for the three sessions, including Tommy Flanagan, Phil Woods, Clark Terry, and Jim Hall, to name a few. The choice of material is inspiring: a snappy "Raincheck," and Farmer's moody "Rue Prevail," and a relatively (then) new work by John Coltrane, "Naima," which turns into a richly textured tour de force in the hands of Farmer & co.

Bringing together trumpeter Howard McGhee and saxophonist Teddy Edwards, “Together Again!!!!” was originally released on Contemporary Records in 1961. In addition to Edwards and McGhee, the album features Phineas Newborn Jr. (piano), Ray Brown (bass), and Ed Thigpen (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

If Simply Streisand, which appeared earlier the same month as A Christmas Album, indicated that Streisand was overly reverent when it came to standards, reverence was no problem with seasonal fare. You don't necessarily look for unusual interpretations of your Christmas music; you just want those old favorites sung well, and for the most part, that's what you got from Streisand. She did lead off with "Jingle Bells?" into which she injected some of her trademark humor while performing at a breakneck pace. Marty Paich arranged and conducted the secular songs like "Have Yourself a Merry Little Christmas" and "White Christmas," which occupied side one, while Ray Ellis handled the religious material on side two. But both were traditional in their charts, and Streisand gave her singing just enough personality without getting in the way of the familiar songs. They were trying to make a timeless classic, and that's what they achieved.

On September 13, Experience Hendrix L.L.C., in partnership with Legacy Recordings, the catalog division of Sony Music Entertainment, is releasing Electric Lady Studios: A Jimi Hendrix Vision, a deluxe box set offering 39 tracks (38 previously unreleased) that were recorded by the new-look Jimi Hendrix Experience (Billy Cox on bass, Mitch Mitchell on drums) at Electric Lady Studios between June and August of 1970, just before the legendary musician’s untimely death the following month. In celebration of the forthcoming release, on August 8, the City of New York will be temporarily renaming the portion of West 8th Street between 6th Street and MacDougal Street JIMI HENDRIX WAY. This is the block on which Electric Lady Studios was built and still stands. There will also be a media screening event inside the studio that night.

In the spring of 1966, If You Can Believe Your Eyes and Ears represented a genuinely new sound, as fresh to listeners as the songs on Meet the Beatles had seemed two years earlier. Released just as "California Dreaming" was ascending the charts by leaps and bounds, it was the product of months of rehearsal in the Virgin Islands and John Phillips' discovery of what one could do to build a polished recorded sound in the studio – it embraced folk-rock, pop/rock, pop, and soul, and also reflected the kind of care that acts like the Beatles were putting into their records at the time. "Monday, Monday" and "California Dreamin'" are familiar enough to anyone who's ever listened to the radio, and "Go Where You Wanna Go" isn't far behind, in this version or the very similar rendition by the Fifth Dimension.

This album was originally released in 1969 as "First Winter". When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".

EU-only five CD collection. The Jazz Messengers featuring Lee Morgan on trumpet, Wayne Shorter on tenor sax, Bobby Timmons on piano, Jymie Merritt on bass, and the leader Art Blakey on drums, were one of the most remarkable small groups in jazz history. This deluxe edition comprises all of the studio recordings by that legendary formation newly re-mastered and in chronological order, including all of their Blue Note sessions and their only Impulse date, with Curtis Fuller added on trombone. Presented here are the complete contents (plus all known alternate songs and takes) from the following original albums: THE BIG BEAT, LIKE SOMEONE IN LOVE, a NIGHT IN TUNISIA, PISCES, ROOTS AND HERBS, THE WITCH DOCTOR, THE FREEDOM RIDER, and JAZZ MESSENGERS!!!!!

2003 restored & remastered reissue of 1985 compilation, that's unavailable domestically, featuring 29 tracks recorded during 1964-1968, packaged in a digipak. Includes 12-page full color booklet with photos & other memorabilia.
Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated. The contents are presented in a relatively chronological manner, commencing with one of the group's earliest shots (if not the earliest shot) on Saturday Club, broadcast on October 3, 1964…

Rhino is pleased to present the first-ever boxed set to celebrate the girl groups of the 1960s. From soul and garage to Brill Building pop and countrypolitan, every possible girl group style is represented on these four discs, which gather 120 remastered tracks from 107 artists including The Supremes, The Ronettes, Dusty Springfield, Carole King, Petula Clark, plus a slew of artists less known but every bit as vital. Landmark packaging replicates a mod-style hat box and includes a diary-style booklet with essays, rare photos, track notes, and artist quotes. 2005.

Throughout the 1950s, the concept of the instrumental track was wrestled away from the cloying strings of MOR orchestras and into the hands of screwdriver-wielding guitarists, sleazy saxophonists, primal garage bands and dance craze creators. The teenage generation demanded music with everything and non-vocal versions of the hits sat next to specially created rabble-rousing gems that transcended genres and styles. This was music where words were just not enough.

Two-Piers, the label that brought you ‘Pop Psychédélique (The Best of French Psychedelic Pop 1964-2019)’ bring you the second instalment in the series ‘Garage Psychédélique (The Best of Garage Psych and Pzyk Rock 1965-2019)’. A thrill a minute dive into the crazy awesome world of Garage Psychedelic Rock. From the Psych sound explosion onto the Underground club scene in the US and UK in the mid 1960s, its discovery by a wider audience via the exceptional Nuggets and Pebbles compilation series in the 1970-1980s. Through its mainstream revival with the Garage sound of the late 1990- early 2000s, to the current crop of exceptional bands flying the Garage Psych flag today, ‘Garage Psychédélique’ takes you on a journey and gives you a little taste of some of the finest music from the scene and the bands that blazed a trail for others to follow…..Sit back and enjoy the ride!