2002 compilation featuring the British Invasion act's entire recorded output during their tenure at Decca 1964-66, outtakes & all, presented in fresh, crisp stereo mixes, all mastered to 24-bit with only one overdub from the original mono (out of necessity Zombies' drummer Hugh Grundy rerecorded his part on 'She's Not There' to match his original). 48 tracks. Big Beat.

Was Brigitte Bardot a "good" singer, in the conventional sense? No. Was the material she sang in the 1960s especially deep or brilliant? No. But is this compilation of the cream of her 1963-1970 recordings a fun listen? Yes indeed. Although not the owner of conventional high-level vocal skills, Bardot invested her frivolous songs with a contagious sense of playful fun, and a refusal to take the music or herself too seriously. Certainly some of the tunes – and their breathy delivery – capitalize on her iconic sex kitten persona. But the guileless joy she projects is reminiscent of some of the early work by France Gall (one of the finest '60s French pop singers), though Bardot's voice is less girlish and more adult in tone. Like the better French pop of the 1960s, the tracks on this disc – an "extremely selective compilation," the liner notes state, of a '60s discography that strung together "fine pearls and cheap imitations, scintillating gems and tawdry kitsch" – have a likable giddiness that borrows from early-'60s girl group and twist rock & roll on the earlier sides, and bears a slight psychedelic influence on some of the later ones.

Divine's real name was Harris Glenn Milstead - not very ladylike. But then, his attire wasn't very ladylike either. Well, it's for his pioneering dancefloor music that Divine will be remembered forever. Hits like "Shoot your shot" conquered the globe! The best examples of his collaboration with star producer Tony Orlando are collected on "The Hit Collection" by Divine.