"Physical" is the 12th studio album by English-born Australian singer Olivia Newton-John, released on 13 October 1981, by MCA Records. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at Ocean Way and David J. Holman's studio in Los Angeles, California, "Physical" became one of Newton-John's most controversial and sexual records, and her most successful studio album to date. Musically, the album features considerable use of synthesizers and it explores lyrical themes such as love and relationships, sex, kinesthetics and environmental protection. Upon its release, the album received positive reviews from music critics, many of them considering it to be Newton-John's best effort. The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s. It also ranks among the best-selling albums by Australian solo artists, selling more than 10 million copies worldwide.

The Radio One Recordings is a compilation album of British musician Gary Numan tracks played live and recorded live for BBC Radio 1. The album brings together the tracks from the July 1989 EP of Tubeway Army's 10 January 1979 and Numan's 29 May 1979 sessions for disc jockey John Peel's show and three tracks broadcast by BBC Radio 1 from the Year of the Child concert held at Wembley Arena on 30 November 1979.

Die Form is chiefly the project of French artist Philippe Fichot, who is usually accompanied by singer Eliane P. Primarily an industrial band, Die Form possess a strong gothic sensibility that is manifested in both the music and in the fetishistic sexual imagery of Fichot's lyrics. The project began by recording a number of experimental cassette releases, starting with Die Form 1 in 1977, and with the first Die Form vinyl release ('Die Puppe') appearing in 1982. Whilst the project was still in its infancy, the underlying concepts were still evident - a combination of esoteric electronic experiments with an underlying theme of erotism, death and other 'taboo' subjects, apparent in both the music and the album artwork, which Philippe also produces.

More structured and less jarring than the 'X Jacks' CD with which it has similarities but no less strange in its construction of layered soundscapes and is actually more repetitive, covering rhythmic systems music, Steve Reich style layering and building, stabs of synth grandeur mixed with voice samples and rhythms so quirky you'd swear there was something wrong with the thing until you realise it's actually meant to sound like this. It's all very odd and disturbing.

1995 compilation, the remix companion to their 1994 collection the Best of New Order. Rest of features updated mixes of 10 of their finest from both the '80s and '90s. Tracks include 'Blue Monday' (Hardfloor Mix), 'True Faith' (Shep Pettibone Remix), 'Touched By the Hand of God' (Biff & Memphis Remix), 'Bizarre Love Triangle' (Armand Van Helden Mix), 'Ruined in a Day' (K-Klass Remix), 'Regret' (Fire Island Mix), 'Age of Consent' (Howie B. Remix) and 'Spooky' (Magimix).

Light Flux was released as companion to the long-awaited autobiography by Edgar Froese. It comes in two versions: as a full length album with six tracks and as a EP featuring only three of the six tracks.

At the same time Brian Eno was working on Here Come the Warm Jets, he was flexing his experimental muscle with this album of tape delay manipulation recorded with Robert Fripp. In a system later to be dubbed Frippertronics, Eno and Fripp set up two reel-to-reel tape decks that would allow audio elements to be added to a continuing tape loop, building up a dense layer of sound that slowly decayed as it turned around and around the deck's playback head. Fripp later soloed on top of this. (No Pussyfooting) represents the duo's initial experiments with this system, a side each…

Kosmischer Pitch is the 2005 album by German DJ/producer Jan Jelinek. While he normally releases music under a number of pseudonyms, Jelinek often does music under his own name and this is one of them. The CD features a hidden track at the end of track 8, an untitled song that has been isolated into its own file for the MP3 version. This was released on his own ~scape label.

Stive Morgan is a talented electronic composer, unfortunately, almost unknown to a wide range of listeners. The real name of the musician is Vlad Motkov, now he lives in the city of Kimry. His favorite styles are: Electro, Electro Techno, Euro Techno, Instrumental, New Age, Reggae, Synth-Pop.

"Tour De France" is the 1983 single by German electronic group Kraftwerk. This CD single features three mixes of the song. It is also an enhanced CD featuring the music video for "Tour De France". The enhanced "extras" is only within the lossless version. This was released by EMI Electrola in 1999.

Asian Dub Foundation are a genre unto themselves. Their unique combination of tough jungle rhythms, dub bass lines and wild guitar overlaid by references to their South Asian roots and militant high-speed rap has established them as one of the best live bands in the world. During their long and productive career Asian Dub Foundation have shared the stage with the likes of Rage Against The Machine, the Beastie Boys and Primal Scream also collaborating on record with the likes of Radiohead, Sinead O’ Connor, Iggy Popand Chuck D.

A companion piece to 2018’s Listening To Pictures, this second volume in the Pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over” and this is evident in the innovative production style that ‘paints with sound’ using overlapping nuances to create an undefinable and intoxicating new palette.
In classic Hassell fashion, the title can be interpreted in a myriad of ways, but perhaps the most pertinent at the moment is the human instinct to sing and play through a rain of difficulties…

Lament For The Rise And Fall Of The Elephantine Crocodile is the 1982 album by Japanese artist Yoshi Wada. This was released in 2007 on Japanese label Em Records.

"Live – Stompin' at the Savoy" is an album by American R&B/funk band Rufus with singer Chaka Khan, released on the Warner Bros. Records label in 1983. "Stompin' at the Savoy" was a double-record set featuring three sides of live material recorded at The Savoy in New York which sees the band reunited with Chaka Khan and performing all their biggest hits as well as "What Cha' Gonna Do for Me" from Khan's 1981 solo album of the same name. The fourth side of the album included four new studio recordings of which two were released as singles, "Ain't Nobody" and "One Million Kisses". "Ain't Nobody", written by the band's keyboardist David "Hawk" Wolinski, became Rufus' final #1 R&B hit, reached #22 on the Billboard Hot 100 singles chart, also won them a Grammy Award for Best R&B Performance by a Duo or Group with Vocal in 1984 and has since come to be regarded as one of Khan's own signature tunes - although it in fact was recorded with Rufus.

The second Hypnos release by James Johnson (following Entering Twilight from a couple years back), The Butterfly Chamber is a refined, delicate and beautiful piece of work. James Johnson has advanced his art, especially from the standpoint of musicality, and the incorporation of more traditional elements, into an ambient style. Johnson himself describes The Butterfly Chamber as follows: "With a sonic pallet of generative ambient textures, minimal piano, and live acoustic performances from Chris Short (Ma Ja Le) & Susan Johns, The Butterfly Chamber features richly woven textures and sinuous atmospheres."