Nearly five decades since his debut LP, the songs on Jackson Browne’s new album Downhill From Everywhere sustain the soulful intimacy of his first release, combined with a power and wisdom gained from a life pursuing positive change.

Brethren features Rick Marotta who spent several years in the early 1970s as the drummer for his own group, the short-lived Brethren. Tom Cosgrove sang and played lead, Stu Woods played bass (he would later appear on Todd Rundgren’s Something/Anything? album), and Mike Garson played keyboards. They released two albums; the first was the eponymous Brethren, which was mildly successful. The second, released as the band was crumbling, is almost impossible to find. The band had a unique sound, a mixture of rock and country, with traces of jazz and influences from Dr. John (Mac Rebennack), who wrote the album notes and the song “Loop Garoo” for them.

Soul Don’t Worry is the most ambitious project to date for NarroWay / Gospel Friend, the Sweden-based gospel reissue operation headed by producer Per Notini.

Conjuring a next-generation fusion of folk, soul, gospel, country and transcendental blues, The Moon and Stars, Prescriptions For Dreamers, Valerie June’s third full-length album for Fantasy Records is a deeply affecting work of genuine beauty and unassuming wonder. Produced by Jack Splash (Kendrick Lamar, Alicia Keys, John Legend) and Valerie June and recorded at Fresh Young Minds in Los Angeles, CA and Hit Factory Criteria in Miami, FL., the new album is her first release since 2017’s highly acclaimed The Order of Time and features 11 songs and three musical interludes, all written by Valerie.

Ptah, the El Daoud, recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New York. This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. Coltrane noted: "Joe Henderson is more on the intellectual side, while Pharoah is more abstract, more transcendental."

Journey in Satchidananda is the fourth solo album by Alice Coltrane. Its title (and title track) reflects Coltrane's inspiration by Swami Satchidananda whom Coltrane had become close to while being his disciple. "Shiva-Loka", or "realm of Shiva", refers to the realm of the third member of the Hindu trinity, the "dissolver of creation". "Stopover Bombay" refers to a five-week stay in India and Sri Lanka on which Coltrane was due to go in December 1970. "Something About John Coltrane" is based on themes by her late husband, John Coltrane. "Isis and Osiris", on which Charlie Haden replaces Cecil McBee on bass, and Vishnu Wood plays oud, indicates Coltrane's interest in Middle Eastern and North African music and culture. The presence of the tamboura, played by Tulsi, reflects Coltrane's interest in Indian classical music and religion.

Gold-Diggers Sound is the new album from Leon Bridges. This R&B collection is birthed from extended late nights at the Los Angeles, California studio of the same name. The album celebrates Leon’s immersive experience of creating music in the same East Hollywood room where he lived, worked, and drank over the course of two years. The soulful collaboration between Leon as an artist and the space itself was so encompassing that he chose to name the album after the soon-to-be legendary complex.

662 (the area code of his Mississippi Delta stomping grounds) is a powerful and personal album, a fiery coming-of-age record. The lyrics reflect newfound maturity and the ways in which your roots inspire where you’re heading. Musically, the record delivers a heaping helping of deep, visceral guitar magic fueling a combustible mix of molten blues rock, down home shuffles and soulful grooves.

Hologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. Hologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the on-going global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.

There is no place to hide in a DUO, so there is a unique honesty in the connection with each musician and the audience. When setting out to do this recording Anderson (piano) and Foureman (bass) wanted the audience to feel this music as genuinely as possible, no overdubs, no fixes – this is the REAL DEAL!

Mixed by Grammy Award-winning mixer/engineer Paul Hicks, overseen by Dhani Harrison and remastered and cut at Abbey Road by Alex Wharton, All Things Must Pass is George’s spiritual high, a true classic and unquestionably one of the greatest albums ever made.

Limited pressing housed in Japanese mini LP sleeve packaging with obi strip. Digitally remastered edition of this classic '60s Soul release. For years, Motown was always referred to as the most influential Soul label of the '60s. However, one cursory glance at Atlantic's vast catalog of '60s Soul releases proves that Atlantic may have had the edge in regards to it's roster of influential talent. This remaster is just one in a series of Japanese Atlantic Soul and R&B reissues that comes housed in a min LP sleeve, which replicates the excitement of opening the album back when it first came out Note!:The album has been printed and manufactured in japan, the only difference is the booklet which is in Japanese.

Motörhead in 1981 was a band of extremes; a flammable mix of non-stop celebration over their rising success and punishing graft, underscored by an inter-band powder-keg dynamic. Afterrecording Ace Of Spades, it had shot to number four in the UK; the killer breakthrough after Overkill and Bomber had done essential groundwork, late 1980’s Ace Up Your Sleeve UK tour was a triumphant lap of honour that spilled into the recording of No Sleep ‘Til Hammersmith. The album took its title from an inscription painted on one of the trucks, referencing the 32 gigs they were playing with only two days off. The track listing ended up featuring three tracks from Ace Of Spades, five from Overkill, Bomber’stitle track and two from their self-titled debut. Originally released on 27th June 1981, Lemmy is quoted as saying of it “I knew it’d be the live one that went best, because we’re really a live band. You can’t listen to a record and find out what we’re about.You’ve got to see us.” Upon release No Sleep ‘Til Hammersmith went straight to number one, their first and only in the UK and is still the most necessary live album of all time.