Antje Weithaas probes every detail in the musical text, charged with energy and with her compelling musical intelligence and unrivaled command of technique. Her charisma and stage presence are gripping but never force their way in front of the work. And we therefore are happy that this internationally top-ranking violinist is now interpreting the Violin Concerto by Robert Schumann and the Double Concerto by Johannes Brahms for cpo with Maximilian Hornung, a cellist who in every way is her equal.

t Was Good Until It Wasn't is the second studio album by Asinger and songwriter Kehlani. It is her first project since her 2019 mixtape While We Wait and first full-length record since her 2017 debut studio album SweetSexySavage.

You don’t need to be a die-hard '80s metal fan to know that the fruits of an artistic alliance between Danger Danger singer Ted Poley and guitarist/producer Steve Brown of Trixter was going to make melodic rock fans rejoice! And in fact, when the Self-Titled debut album hit the market, that’s when the fun really started to happen!

Carl Nielsen’s incidental music The Mother was written for a gala celebrating the reunification of Southern Jutland with Denmark. The score first appeared in print in 2007 and has never been recorded in its entirety. This recording places the music in the right context for the first time, therefore providing us with a new picture of Carl Nielsen as a composer for the theatre. Carl Nielsen uses familiar songs in the play, including the Danish national anthem as well as a curious use of the national anthems from the allied countries that, with their attacks on Germany, determined the fate of Southern Jutland.

Nick Lowe and His Noise To Go rocked Cleveland's Agora Ballroom on February 10, 1982, adding live fury to some of Nick's most celebrated songs. The band rolls through a version of Rockpile's "Pet You and Hold You," followed by an electric performance of "Cracking Up" from Nick's Labour of Lust. The show concludes with a rockin' rendition of Nick's most enduring composition, "(What's So Funny 'Bout) Peace, Love and Understanding?"

The friendship between Steven Rodby and Dominique Fillon has naturally lead Dominique to record his album in Chicago for his latest album. Chicago is well-known for being the city of jazz where giants of jazz have recorded their album like Louis Armstrong, Lionel Hampton, Patricia Barber or Kurt Elling - just to name a few. As of today, Chicago remains the temple of jazz and is the place to go for any cosmopolitan artist like Dominique Fillon. With Steven Rodby playing the bass, he wished to be back to this team of Australian jazz with Nic Cecire on drums, to record the way they did back in the days at the famous Chicago Recording CRC, with the engineer Helik Hadar for supervising.

Different stories of love, art and family(ies) co-habit in this recording which resonates like a prestigious, vintage Grand Cru. Pianist Laurent Courthaliac pays here a wonderful tribute to be-bop and its patron muse, the baroness Pannonica de Koeenigswarter - "Nica" - whose granddaughter Nadine designed the artwork. The repertoire mixes and mingles Courthaliac's originals with those of jazz giants from that time, including iconic legend Thelonious Monk. The trio, led by its pianist (sublime quality guaranteed: bassist Ron Carter performs on two thirds of the tracks), guides us through the intricacies of an era and style that goes beyond modern and that appears to be just… eternal.

"The Key", the debut album of the Mauritian pianist now resident in France, Jerry Leonide, is the key to a whole world; to the music and joie de vivre of an island paradise 1,700 km from the coast of Africa in the Indian Ocean. Leonide translates the irresistible, bouncingly danceable, clearly African influenced grooves and light and breezy crystal-clear melodies of his homeland into the vocabulary of jazz. He himself says of his debut: "For me 'The Key' is the revelation of Mauritian music before the eyes of the world." His global piano playing enthralled the jury of the "Solo Piano Competition 2013" at the Montreux Jazz Festival so much that they awarded him first prize.

Anyone who's been listening to modern jazz has been aware of Jeff "Tain" Watts ever since the classic Wynton Marsalis quintet of the mid-'80s. The general public was introduced to him through his stint on Jay Leno's The Tonight Show – a profitable excursion that nevertheless meant there was an eight-year gap between his debut, Megawatts, and its 1999 successor, Citizen Tain. It was worth the wait, however. Watts scored an enormous coup by reuniting Wynton and Branford Marsalis for the first time in a decade, and he surrounded them with excellent musicians – their trombonist brother Delfeayo Marsalis, alto saxophonist Kenny Garrett, bassist Reginald Veal, and pianist Kenny Kirkland, in what sadly turned out to be one of his final sessions.

Two very different takes on the romantic piano concerto, both equally successful. The Bliss – written in 1939 for the World’s Fair in New York – is extrovert, exuberant and virtuosic, the Rubbra a profound reflection on, and continuation of, the English pastoral tradition.

There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. The Midnight consists of Tyler Lyle (a songwriter from the Deep South) and Tim McEwan (a producer from Denmark).

The much awaited studio album from Wayne Krantz after his last release, Good Piranha Bad Piranha (2014) featuring Gabriela Anders, Keith Carlock, Will Lee, Orlando le Fleming, Tim Lefebvre Pino Palladino and Chris Potter.

Dusty Springfield was the finest female vocalist of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries. This wonderful collection compiles her complete surviving BBC sessions onto one CD for the very first time.

Few artists of any nation have created such a passionate and human statement on political themes as Waldemar Bastos, while at the same time, expertly explores musical styles from across the African continent, creating a sensual and sensational statement. From the opening track "Sofrimento," a tender lament for Angola, this singer/songwriter casts a spell that lingers long after the last note has faded.

Producer Mike Chapman, who had recently worked with Pat Benatar and Blondie, came on board for Bow Wow Wow's When the Going Gets Tough the Tough Get Going set. Perhaps it's Chapman's involvement that finds lead singer Annabella Lwin sounding a bit like Debbie Harry at times. This 1983 album was also the first that had no writers from outside the band contributing. When the Going Gets Tough is a well-polished, well-executed effort that holds some surprises mainly in the fact that there is more diversity than on prior Bow Wow Wow records. Chapman adds a gloss to the ballads "Lonesome Tonight" and the dreamy "Love Me," with Lwin toning down her usual frantic delivery.