Natalie Wood: What Remains Behind (2020)

General
Natalie.Wood.What.Remains.Behind.2020.720p.WEB.h264-OPUS.mkv
Format : Matroska
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File size : 2.64 GB
Duration : 1 h 39 min
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Duration : 1 h 39 min
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Width : 1280 pixels
Height : 720 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
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Stream size : 2.32 GB (88%)
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Duration : 1 h 39 min
Bit rate mode : Constant
Bit rate : 384 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 spf)
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 275 MB (10%)
Title : English
Language : English
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General
Natalie.Wood.What.Remains.Behind.2020.1080p.WEB.h264-OPUS.mkv
Format : Matroska
Format version : Version 4 / Version 2
File size : 6.01 GB
Duration : 1 h 39 min
Overall bit rate mode : Variable
Overall bit rate : 8611 kb/s
Writing application : mkvmerge v51.0.0 ('I Wish') 64-bit
Writing library : libebml v1.4.0 + libmatroska v1.6.2

Video
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Format/Info : Advanced Video Codec
Format profile : High@L4
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 1 h 39 min
Bit rate mode : Variable
Bit rate : 8055 kb/s
Maximum bit rate : 12.4 Mb/s
Width : 1920 pixels
Height : 1080 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.162
Stream size : 5.63 GB (94%)
Default : Yes
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Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
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Duration : 1 h 39 min
Bit rate mode : Constant
Bit rate : 384 kb/s
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 spf)
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 275 MB (4%)
Title : English
Language : English
Default : Yes
Forced : No
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Text #2
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