Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there is one rule: never fall in love. But this time Valmont falls madly in love with a girl he meets at a ski resort, Marianne.

Leito and Damien try their best to restore law and order in the ravaged District 13 that has been ruled by the mafia kings. But intelligence officers from the DISS try to interfere in their operation.

Armand, a man who sells farm machines in the country, is a popular middle-aged homosexual. Just as he was getting sick of life, he falls in love with a young girl called, Curlie, and goes on the run from her parents and the police.

Halifax, 1863. A young woman, Miss Lewly, comes to Halifax to search for Lt Pinson, with whom she is madly in love. Actually, she is Adèle Hugo, the second daughter of the great French literary figure and statesman. The Lt Pinson does not answer to her love and makes her understand it is hopeless. But as her obsession grows she keeps chasing and harassing him. This film about passionate yet obsessive love and self-destruction is based upon the real diary of Adèle Hugo.

In this experimental work, director Manoel de Oliveira puts in a few left-hand punches at the world of commercial cinema. The story opens with a stage play in which a costumed flapper (Bulle Ogier) is working her way through her scene when she is rudely interrupted by a young man. He proceeds to declaim his grievances to the camera crew that occupies the first rows, namely de Oliveira and his technicians. This sequence is then rewound and repeated in two different, speeded-up styles. Next, some images of global disasters fill the screen and it is on to the second major episode. In this segment, a disfigured Job (Luis Miguel Cintra, the disgruntled man of the first segment) proclaims his woes to his wife (Ogier again), woes that are easily interpreted as exactly those of the serious cineaste in a commercial world.

This affectionate farce from François Truffaut about the joys and strife of moviemaking is one of his most beloved films. Truffaut himself appears as the harried director of a frivolous melodrama, the shooting of which is plagued by the whims of a neurotic actor (Jean-Pierre Léaud), an aging but still forceful Italian diva (Valentina Cortese), and a British ingenue haunted by personal scandal (Jacqueline Bisset). An irreverent paean to the prosaic craft of cinema as well as a delightful human comedy about the pitfalls of sex and romance, Day for Night is buoyed by robust performances and a sparkling score by the legendary Georges Delerue.

Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives private classes of violin. When Christine is near to have a baby, Antoine decides to find a new job, and he succeeds due to a misunderstanding of his employer. In a business meeting, he meets the Japanese Kyoko (Mademoiselle Hiroko) and they have an affair. When Christine accidentally discovers that Antoine has a lover, they separate. But later they miss each other and realize that they do love each other.

In this evocative, atmospheric biography, Roberto Rossellini brings to life philosopher and mathematician Blaise Pascal, who, amid religious persecution and ignorance, believed in a harmony between God and science.

The final installment in director Lucas Belvaux's trilogy follows Pascal, a cop who sees a return to credibility in the capture of escaped convict Bruno–who in turn is harbored by Pascal's morphine-addicted wife Agnes. Pascal's already precarious ties to Agnes are strained further when he meets and falls for her fellow schoolteacher friend Cecile. With Pascal focused on Bruno and Cecile, Agnes is forced to find a fix on her own.

Reflections by Marion Hänsel. Ever since I began to walk, I've walked looking up, contemplating the clouds. This has never left me bored. Day after day, "the biggest screen in the world" presents a fascinating spectacle, ever changing and endless. What is unfolding above me, or below me when I'm flying, touches me deeply. An entire array of sensations corresponds to my mood, the moment, the intensity of the light. At times I feel contentment, joy, euphoria, and sometimes melancholia, solitude, serenity or even fear, suffocation, helplessness and anger. Most of the time I just feel the simple happiness of being alive, in a moment in time, a part of a totality where up and down doesn't exist. I'm surrounded by something infinitely light, I'm floating and feel part of the universe. These states of mind, provoked by the clouds, the desire to live, to create - must be universal; I'm sure.

After nearly fifteen years behind bars, lefty revolutionary Bruno escapes and heads back to Grenoble, France. His plan? Settle some old scores, hook up with his foxy ex-lover, and avoid the cop on his tail. An unexpected event, however, brings cop and crook closer than they ever could have expected.

This art film has no conventional dialog between the main characters. This tells a strangely compelling story of two women in a suburban home who are listening to radio news broadcasts about a missing child in their area.

In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine (Anémone) and Jean-Michel (André Dussolier), for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance – the template for “a new city for the new man.” A searing satire of the breakdown of individual freedoms in the face of increasing governmental invasions of privacy, William Klein’s The Model Couple deftly investigates the fine line between democracy and totalitarianism.

Roaming around gorgeous countryside in a chauffeur-driven vintage limousine, Lina drapes herself naked across the rear passenger upholstery, making herself available for any fortunate stray hiker the vehicle should happen to pass. A grim flashback scene involving a pair of unsavory truck drivers towards the end offers a psychological explanation for her nymphomania.

A cruel circus owner beats and abuses his pregnant wife. One day the circus receives a leopard newly captured in Africa, but the animal soon dies. However, an evil creature that was inside the leopard bursts out of the animal's body, burrows into the wife's body and takes over her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new "baby".