The great Agnès Varda’s film career began with this graceful, penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple (played by Silvia Monfort and Philippe Noiret) and a documentary-like look at the daily struggles of the locals, Varda’s discursive, gorgeously filmed debut was radical enough to later be considered one of the progenitors of the coming French New Wave.

Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?

Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the stepson into betraying her.

Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted by an apprentice cook. It seems that mother and daughter are drifting apart from each other, but then their holidays are over.

Jean-Luc Godard and Anne-Marie Mieville talk about their films, while doing everyday tasks around their house.

Diego is one of the chief of the spanish Communist Party. He is travelling back to Paris (where he lives) from a mission in Madrid. He is arrested at the border for an identity check but manages to go free thanks to Nadine, the daughter of the man whose passport is used by him. When he arrives in Paris, he starts searching one of his comrades, Juan, to prevent him from going to Madrid where he could be arrested by Franco's police…

Two seemingly happily married French couples are forced to contend with a number of issues: Nearing the end of his career, small-town doctor Jacques (Jean-Pierre Bacri) and his wife Carole (Nathalie Baye) are relatively content with their lives and marriage. When Francois (Melvil Poupaud) - the new doctor taking over Jacques' practice - and his young bride Edith (Isabelle Carré) move in next door, Jacques and Carole are ecstatic when they learn that the newcomers have a lot in common with them. While both the men and women bond with each other, Jacques also begins to take a sexual interest in Edith that she is all too willing to indulge. As their affair quickly ignites, both Jacques and Edith find their respective outlooks on life have been renewed while they also deludedly hold on to the notion that they can successfully pull off their affair without causing damage to their marriages.

Setting out on her own, 25-year-old Alice visits several apartments with the help of real estate agent Julien, a married man with children. They soon fall in love. Around the same time, Alice takes work at Julien's wife Marie's tea shop. Charmed by the interest Alice shows in her, Marie lets her guard down and starts confiding in her. In return, Alice, tells Marie about her affair with a married man. Things come to a head when Julien has a car accident and the affair is exposed.

Anne-Marie lives an easy life with Gilbert, a rich plastic surgeon: a beautiful house, a doggy, a cleaning lady, expensive furniture, the lot. Not so easy in fact when she thinks twice. She does not get on with her husband any longer. She gets on his nerves and he does not attract her any longer. She feels good only when she jogs on the beach and … when she is the arms of her lover, Leo. One day, Gilbert gets killed in a car accident. Good news, since she will be able to live with Leo. The trouble is her well-meaning family settle at her villa with a view to supporting the "poor widow" morally. Anne-Marie just cannot admit she is not distressed at all, especially to her son Christophe. She is now even more of a prisoner than when Gilbert was alive…

As a way to prepare for disasters, family man Antoine attends a training program on survivalism given by Alain, at his self-sufficient retreat. Anticipating a natural, economical or social breakdown, the group goes through drills meant to prepare them for apocalypses of all types. But the catastrophe waiting for them is nothing like what they anticipated.

Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

Ginette, Rita, Jacqueline and Jane try to find fulfillment and love in their lives. Rita has a fiancé whose family is obsessed with social distinction; Jane has a boy-friend in the army, but does not hesitate to enjoy herself with chance encounters; Ginette has a mysterious passion that keeps her away from her colleagues at nights. Jacqueline is lonely; but who is that mysterious bike-rider who is constantly following her ?

Shot as a false "making-of," a false documentary, and a fantasy musical about actresses, actor/director Maïwenn has written roles for some of the most lauded French actresses of our time. What the actresses show and tell of themselves is incredibly brave, but it is what they are able to dissimulate that underscores their great ability.

In 1945, as World War Two comes to a close, five small time crooks unite to form a gang. After several bold robberies they become notorious as "the front-wheel drive gang". The police attempt to stop their crime spree with little success, but how long will their luck last?

This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.