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    Bangiku - Mikio Naruse (1954)

    Posted By: tribu
    Bangiku - Mikio Naruse (1954)


    Bangiku (1954)
    (Late Chrysanthemums / Crisantemi tardivi / Crisantemos tardíos)
    DVDRip | Language: Japanese | Subtitles: English, Italian, Spanish (.srt)
    Xvid 640x480 (4:3) | 97 min | 25.0 fps | AC3 192 kbps | 755 Mb
    Genre: Drama | RS.com


    Ageing ex-geisha has always saved her money and is now a grasping property investor and moneylender. Ex-colleagues and lovers both resent her and try to borrow from her. She grows increasingly cynical and hardbitten while the others struggle financially and turn to drink. Grown children leave home for better lives elsewhere.

    La ex geisha Kin (Haruko Sugimura) vive sola en Tokio con una mucama sordomuda, y se gana la vida como prestamista. Sus antiguas colegas Tamae (Chikako Hosokawa) y Tomi (Yuko Mochizuki) le deben dinero, pero Kin ni piensa en condonarles la deuda. Esto no puede sino provocar mal humor. En realidad, ambas deudoras ya tienen bastante que hacer, sobre todo con sus hijos: Tamae, la más bella del trío, que trabaja ahora como sirvienta cuando las migrañas no la dejan postrada, se preocupa por su hijo Kiyoshi (Hiroshi Koizumi), que anda en amores con otra mujer, a la que quiere seguir hasta Hokkaido. Tomi, por su parte, que se deja estar desde que su época de geisha pasó, trata de evitar que su moderna hija Sachiko (Ineko Arima) se case con un hombre más viejo. Entretanto, Kin se alegra de que retornen a su vida dos antiguos amantes: Tabe (Ken Uehara) y Seki (Bontaro Miyake).

    Late Chrysanthemums is director Mikio Naruse's most perfect film, a seamless combination of several short stories (Bangiku, Suisen, and Shirasagi) by authoress Fumiko Hayashi that detail the lives of three aging geishas, O-Kin (Haruko Sugimura), Tamae (Chikako Hosokawa), and O-Tomi (Yûko Mochizuki). Perfection, I suppose, implies some sort of apotheosis, a personal best never again achieved, yet Late Chrysanthemums is more the film that inaugurates Naruse's masterful run up to and including 1964's Yearning, a significantly rougher effort that is nonetheless the director's fullest and most expressive achievement.
    Crisantemos tardíos es el film más perfecto de Mikio Naruse, una precisa combinación de varios relatos cortos (Bangiku, Suisen, y Shirasagi) de la escritora Fumiko Hayashi, que narran la vida de tres geishas entradas en años: O-Kin, Tamae y O-Tomi. La perfección, supongo, implica algún tipo de apoteosis, una cima personal nunca de nuevo alcanzada, pero Crisantemos tardíos es más bien el film que inaugura el ciclo magistral que lleva a Naruse hasta Midareru (1964), una obra significativamente más áspera, pero a la vez el mayor y más expresivo logro del director.
    Keith Uhlich, Slant Magazine

    Il film è stato tratto da tre racconti della famosa Fumiko Hayashi, la stessa autrice dalle cui opere sono stati tratti anche molti altri film di Naruse del periodo post-bellico, come ad esempio Ukigumo ("Floating Clouds" del 1951), Meshi ("Repast "del 1951), Inazuma ("Lightning" del 1951). Nel 1962 Mikio Naruse realizzerà anche un film tratto dall'autobiografia di Fumiko Hayashi, Hourou-ki (in inglese conosciuto come "A Wanderer's Notebook" o anche "Lonely Lane"). Siamo a Tokyo, sono gli anni '50: quattro donne, geisha non più in attività e ormai prossime alla mezza età, sono alle prese con l'amarezza e le delusioni di una vita che ormai sembra poter regalare loro ben poco.
    Asianworld.it



    Bangiku - Mikio Naruse (1954)

    Bangiku - Mikio Naruse (1954)

    Bangiku - Mikio Naruse (1954)

    Bangiku - Mikio Naruse (1954)