The folktale about Bloody Lady Bathory, doomed to bathe in the blood of young girls in order to be forever youthful herself

The folktale about Bloody Lady Bathory, doomed to bathe in the blood of young girls in order to be forever youthful herself

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend …

Jakub's life arrived at a dead-end. He leaves his job, and gets into conflict with his father. The trouble just grows by his relation with a married woman. Breaking out, Jakub realizes the pleasures of the countryside in the old garden of his grandfather. He finds true love with an angel, and encounters various exciting moments of his new free life. Strange visitors arrive, and he wont get back to town anymore.

Through a variety of film styles that provide a surrealistic sensory overload, Slovak director Juraj Jakubisko provides three war stories that treat the fragility of the humankind through different approaches, with Death as a common denominator appearing in all stories. In the first chapter (WWI), a gypsy deserts the army to return to his town for a wedding. To protect himself, he dresses up as a woman. However, the Hussars spot him, unleashing violent confrontations in the village. In the second chapter (WWII), Russian partisans kill an old man suspected of being a German spy. The news that the war is over scatters. Celebrations begin. But a German unit is unaware of this, and stumbles upon the celebration. In the third chapter (Post-Apocalyptic Nuclear Holocaust), two survivors begin an extensive search for other remaining people, but Death seeks them out too.

Two ex-soldiers search for stability and love when they return home after World War One.

The Sun in a Net is a lyrical story about the emotions arising between two young people who pretend cynicism and rejection of society in an attempt to hide their insecurities, lack of experience and fear of adult life. It is the very first film in the history of Slovak cinema to take on the theme of the natural differences of values and social life in urban and rural settings. The film is considered the beginning of the New Wave in Slovak and Czech cinema of the 1960s.

Slovakia during WW2. Tono lives a poor life, but the authorities offer him to take over the Jewish widow Lautman's little shop for sewing material. She is old and confused and thinks that he is only looking for employment and hires him. The odd couple begin to like each other. But some time later the authorities decide that the Jews must leave the city. What should he do with the old lady?