Driving home in the brand new Volvo his wealthy wife (former Miss Italy Lucia Bosé) gave him for his birthday, Ricardo comes upon a smoking, overturned auto with a man and boy trapped inside but, afraid he'd get bloodstains in his new car, he ignores their cries for help and drives away just before the wreck explodes. Soon after, blood begins pooling in his backseat and Ricardo comes to know how Lady Macbeth felt when he can't get the damned spots out no matter how many times he cleans the car…

Oh, lordy, lord…Take a deep breath, get the smelling salts, and strap yourself in 'cause this the is the world's first and only Jellyfish-Man Movie, and seeing it still ain't believing it!

Udo Kier is a witch hunter apprentice to Herbert Lom. He believes strongly in his mentor and the ways of the church but loses faith when he catches Lom strangling Reggie Nalder to death for calling him impotent. Kier begins to see for himself that the witch trials are nothing but a scam of the church to rob people of their land, money, and other personal belongings of value and seduce beautiful big breasted women. Eventually, the townspeople revolt, Herbert Lom escapes but poor Udo is captured by the towns people. This film contains very strong graphic torture including a women's tongue being ripped out of her head,nuns being raped(in the opening credits), and lots of beatings.

A special sideshow torture exhibit has the power, according to showman Dr. Diablo, to warn people of evil in their futures. As skeptical customers are shown the greed and violence they're hiding, one of them snaps and kills Diablo. When they run off, we see the murder to be staged as part of the show. One of the customers has hung around to see this, and wants to make a deal with Diablo, aka the Devil.

A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability to communicate with sharks telepathically, setting out to destroy anybody who harms sharks. People enter into his strange world to exploit his weird passion, and he uses the animals to gain revenge on anybody who double crosses him.

Blade finds himself alone surrounded by enemies, fighting an up hill battle with the vampire nation and now humans.

In early-twentieth-century middle-Europe, villagers are literally becoming petrified. Although the authorities try to hush the matter up, it is apparent that at the full moon, Megaera, a Gorgon, leaves her castle lair and anyone looking on her face is turned to stone. When this fate befalls a visitor, experts from the University of Leipzig arrive to try and get to the bottom of it all.

ZOMBEAVERS is an action-packed horror/comedy in which a group of college kids staying at a riverside cabin are menaced by a swarm of deadly zombie beavers.

During a tempestuous storm various people turn up at a hotel asking to stay for the night, only certain ones are allowed to stay by the mysterious owner. In the morning the guests realise their clocks have stopped at midnight, on questioning the owner they make a gruesome discovery.

KILLING CAR is one of Jean Rollin's most unusual films and is a real departure from the vampire theme for which he is best known, though it still maintains Rollin's signature mix of mysterious femmes fatales and female flesh.

Alfred Hitchcock Presents is well known for its title sequence. The camera fades in on a simple line-drawing caricature of Hitchcock's rotund profile. As the program's theme music, Charles Gounod's Funeral March of a Marionette, plays, Hitchcock appears in silhouette from the right edge of the screen, and then walks to center screen to eclipse the caricature. He then almost always says "Good evening." (The theme music for the show was suggested by Hitchcock's long-time musical collaborator, Bernard Herrmann.)