49th Parallel (1941) [The Criterion Collection #376]

A WW2 U-boat crew is stranded in northern Canada. To avoid internment, they must make their way to the border and get into the still-neutral USA.

Director: Michael Powell
Cast: Richard George, Eric Portman, Raymond Lovell, Niall MacGinnis, Peter Moore, John Chandos, Basil Appleby, Laurence Olivier, Finlay Currie, Ley On, Anton Walbrook, Glynis Johns, Charles Victor, Frederick Piper, Leslie Howard, Tawera Moana, Eric Clavering, Charles Rolfe, Raymond Massey, Theodore Salt, O.W. Fonger, Robert Beatty, Elisabeth Bergner, Eric Berry, Gron Davies, Leslie Falardeau, Lionel Grose, Jack Hynes, Stuart Latham, Norman Luxton

Criterion Collection

At once a compelling piece of anti-isolationist propaganda and a quick-witted wartime thriller, 49th Parallel is a classic early work from the inimitable British filmmaking team of Michael Powell and Emeric Pressburger. When a Nazi U-boat crew, headed by the ruthless Eric Portman, is stranded in Canada during the thick of World War II, the men evade capture by hiding out in a series of rural communities, before trying to cross the border into the still-neutral United States. Both soul-stirring and delightfully entertaining, 49th Parallel features a colorful cast of characters played by larger-than-life actors Laurence Olivier, Raymond Massey, Anton Walbrook, and Leslie Howard.

IMDb

In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's Fanatical Nazi captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crews' return to the Fatherland. He needs to reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight against the Nazis.
~ Steve Crook

Unless you believe George Orwell's claim that all art is propaganda; which, with all due respect to one of the twentieth century's finest minds, is poppycock. The propaganda film is a special kind of film, usually unbearable garbage. This one is an exception.

A German U-boat is sunk just off the coast of Canada and the surviving crew must make it through hostile enemy country to the neutral United States. After a short while their plight becomes known and the whole world is watching to see which nation, Canada or Germany, can manage to win the metaphorical battle.

The most interesting thing - considering the movie as propaganda - is that Powell's intended audience was the United States: he wanted to get that country involved in the war, or at least get the people of that country to support the war. Realise this and you realise how remarkably subtle the film is. Not once is Powell's goal explicitly stated or even alluded to; and even the underlying message (the USA *is* involved in the war, whether it wants to admit it or not) requires some thought to work out. Yet it's an integral part of the story. More explicit is the democracy vs. dictatorship theme, which is hammered home a number of different ways, not all of them obvious. (This theme is handled a bit too obviously now and then, I'll admit.)

Another interesting fact is that the hero of the story is either democracy, or Canada, or the Western Allies, or some such - no one person plays the role. The central characters are the Germans. In fact they're all quite likable (except for the doctrinaire Nazi, of course). Powell bends over backwards to inhibit anti-German sentiment. Despite all this we are not once on the Germans' side. We want them to be captured so long as they continue to serve an evil regime.

It's also a beautifully shot travelogue of Canada. And Ralph Vaughan Williams's score is lovely. He was seventy or so when he wrote it; he'd never written for the cinema before; he had his own ideas about what film music should be like.
~ Spleen

DVDBeaver



Special Features
- SPECIAL EDITION DOUBLE-DISC SET FEATURES
- New, restored high-definition digital transfer
- Audio commentary by film and music historian Bruce Eder
- The Volunteer, a 1943 Powell and Pressburger war-effort short starring Ralph Richardson
- A Pretty British Affair, a BBC documentary on the careers of Powell and Pressburger, which considers their WWII-era collaborations and features rare footage of the filmmakers together
- Excerpts from Michael Powell's audio dictations for his autobiography
- Original theatrical trailer
- Optional English subtitles for the deaf and hard of hearing

Download