Twilight's Last Gleaming (1977)
A Film by Robert Aldrich
DVD5 | VIDEO_TS | NTSC 4:3 | 02:23:36 | 4,47 Gb
Audio: English MPEG-1 2.0 @ 128 Kbps | Subs: None
Genre: Thriller, Sci-fi
A Film by Robert Aldrich
DVD5 | VIDEO_TS | NTSC 4:3 | 02:23:36 | 4,47 Gb
Audio: English MPEG-1 2.0 @ 128 Kbps | Subs: None
Genre: Thriller, Sci-fi
A renegade USAF general, Lawrence Dell, escapes from a military prison and takes over an ICBM silo near Montana and threatens to provoke World War 3 unless the President reveals details of a secret meeting held just after the start of the Vietnam War between Dell and the then President's most trusted advisors.
IMDB
A flawed but nonetheless highly exciting political thriller, TWILIGHT'S LAST GLEAMING has some deeply disturbing things to say about the powers that be in America. The action begins in 1981 (the near future for this 1977 release) and centers on former US Air Force general Lawrence Dell (Burt Lancaster), a Vietnam veteran who served five years as a POW. Upon his return, Dell became a vocal advocate of disclosing the truth behind US involvement in Southeast Asia in the hope that a post-Watergate America would forgive its government and have renewed faith in its leaders. Because of his radical stance, however, Dell is eventually sent to prison on trumped-up manslaughter charges. Still determined, he recruits three inmates (Paul Winfield, Burt Young, and William Smith) to help him escape and take over a nearby SAC base that he helped design.
Once in control of the base, Dell demands that the president (Charles Durning) reveal the truth about the Vietnam War to the American people by reading National Security Council document 9759 on national television. If these demands are not met, Dell promises to send the nine Titan missiles to their targets in the Soviet Union. TWILIGHT'S LAST GLEAMING is a stunning indictment of the arrogance of America's decision makers and the lengths to which they will go to maintain "business as usual." At the same time it also dramatizes the danger of our unthinking faith in technology. Tellingly, it comes as a deep shock to the military that their usually reliable machines and detailed procedures seem to have gone haywire on the day of the siege, leaving them powerless to stop Dell. Though a bit slow at the outset and suffering from some occasional lapses of logic, Robert Aldrich's film–shot in Germany with no cooperation from the US military–is a fascinating, tension-filled effort.
Lancaster contributes a fine performance as the righteous, populist general, and Durning is superb as the president who comes to share Lancaster's high hopes. Further, Aldrich uses some remarkable split-screen techniques that add to the film's tension and speed up the complicated expository passages. Despite some flaws, TWILIGHT'S LAST GLEAMING is a gripping drama that will have you on the edge of your seat until the bitter end.
While this movie has been criticized as a product of Lancaster's political ideology, it is too entertaining to dismiss as a simple political polemic. Gen-Xers may not remember a time when we were always just a few minutes away from a nuclear launch. This film captures some of that tension (and explains why the Strategic Air Command insisted in psychatric screening of all personnel who had access to nuclear weapons!) A plot device about the secret origins of the Vietnam war has been roundly criticized by some. But anyone who has read the early works of Henry Kissinger or the Pentagon Papers will not find it far-fetched at all. Great end title score!IMDB Reviewer
Nuclear missiles raise their warheads, but this time the paranoia is inward, and it's American vs American as Lancaster's renegade Air Force General captures a Montana missile base in order to 'blackmail' the President into revealing the shameful secrets of former administrations. The plea for 'open' government makes this in many ways the first film of the Carter administration. On reflection, the script is often contrived and the acting less than dynamic. But praise to Aldrich for his no-nonsense direction, which fashions the material into a fairly riveting computer hardware thriller. His handling of the countdown - 'It stopped at 8. Next time they go!' - is sufficiently convincing for one to think that the film and everything else might end prematurely. Aldrich turns in a neat, professional job, and even his use of split-screen is unusually uncluttered.
Special Features: None on the source
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