Nicolas Roeg-Bad Timing (1980)

Amid the decaying elegance of cold-war Vienna, psychoanalyst Dr. Alex Linden (Art Garfunkel) becomes mired in an erotically charged affair with the elusive Milena Flaherty (Theresa Russell). When their all-consuming passion takes a life-threatening turn, Inspector Netusil (Harvey Keitel) is assigned to piece together the sordid details. Acclaimed for its innovative editing, raw performances, and stirring musical score—featuring Tom Waits, the Who, and Billie Holiday—Nicolas Roeg’s Bad Timing is a masterful, deeply disturbing foray into the dark world of sexual obsession. Criterion




The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her lover, an American psychology professor. As doctors try to save her life, the detective interrogates the professor, and through flashbacks we see the events leading up to the woman's overdose; her stormy and intensely sexual relationship with the professor, her heavy drinking and numerous affairs, and her estrangement from her Czech husband. A darkly erotic study of several rather unsympathetic characters. (http://imdb.com/title/tt0080408/plotsummary)




A choppy, unsettling meditation on sexual obsession, Nicholas Roeg's Bad Timing stars Theresa Russell and Art Garfunkel as Milena and Alex, two lovers pursuing a torrid relationship in late-1970s Vienna. The movie opens with Milena being rushed to the hospital for an apparent suicide attempt. Alex, a psychology professor, proceeds to play it cool as he's questioned by Inspector Netusil (Harvey Keitel). As Milena fights for her life on the operating table, the story of how she and Alex came together is revealed in startlingly raw passages of lust and bursts of raw emotion. (– Ryan Boudinot - Editorial Reviews - Amazon.com)




Roeg throws the narrative out of joint with flashbacks and jarring editing, skillfully turning this story of a love affair into a mystery. The scene in which Milena aggressively seduces Alex on a stairwell is a bravura, gutsy performance from Russell. What's even more startling is the odd casting of this film. After all, that is the bare backside of the guy who most famously provided harmonies on "Scarborough Fair." Roeg, clearly enamored with casting musicians in lead roles (David Bowie in The Man Who Fell to Earth and Mick Jagger in Performance) also approaches the editing of the film as though it were music, with abrupt, discordant cuts and strange juxtapositions. (– Ryan Boudinot - Editorial Reviews - Amazon.com)




The film–of a tradition of sexually frank films like Bertolucci's Last Tango in Paris–is yet another reminder of how deeply filmmakers of the '70s were willing to mine human emotions, especially unpleasant ones. (– Ryan Boudinot - Editorial Reviews - Amazon.com)