Jacques Rivette-Céline et Julie vont en bateau (1974)

Rivette's rarely seen yet biggest commercial hit, is an exhilarating combination of the themes oftheatricality, paranoia and la vie parisienne, all wrapped up in an extended and entrancing examination of the nature of filmmaking, and film-watching. BFI




A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality. (http://imdb.com/title/tt0071381/plotsummary)




Cline (Juliet Berto), a magician, and Julie (Dominique Labourier), a librarian, meet in Montmartre and wind up sharing the same flat, bed, fianc, clothes, identity and imagination. Soon, thanks to a magic sweet, they find themselves spectators, then participants, in a Henry James-inspired 'film-within-the film' a melodrama unfolding in a mysterious suburban house with the 'Phantom Ladies Over Paris' (Bulle Ogier and Marie-France Pisier), a sinister man (Barbet Shroeder) and his child. BFI




The atmosphere, however, is more Lewis Carroll, with Juliet Berto and Dominique Labourier as twin Alices. The four main actresses improvised their own dialogue in collaboration with Rivette and scriptwriter Eduardo de Gregorio. Acknowledged by director Susan Seidelman as a huge influence on her own hit film Desperately Seeking Susan (1985), Cline and Julie Go Boating was Rivette's greatest commercial and critical success - its freewheeling, playful spirit still capturing the imagination of new audiences today. BFI