Andrei Konchalovski - Runaway Train (1985)

The stock title promises action and suspense, and we get that, but with a story by Akira Kurosawa, expert direction by Russian émigré Andrei Konchalovsky and superior lensing by Alan Hume, we get a study of what defines a man.
John Voight and the vastly underrated Eric Roberts play two cons who escape from a hellish gulag and board a train with no driver. Their struggle to stop the train and battle their own inner demons is the movie.
Konchalovsky creates a cold, alien, ethereal world inside the train that, in the oddest way, provides a haven for self-examination for the two leads. Rebecca de Mournay is layered into the mix, as is the indefatigable John P. Ryan as a prison warden who risks death to return his charges to custody, but the movie belongs to Voight and Roberts who both bring tremendous humanity to their finely sketched characters.


Runaway Train is about far more than a runaway train. It is about personal freedom and how hard we are willing to struggle to get it. It's about how willing we are to give up our personal freedom to be comfortable. It's about dehumanization inflicted by social institutions. It's also one gripping, suspenseful action-flick. The two main characters, played by Jon Voight as Manny and Eric Roberts as Buck, are escaped prisoners, but they are humanized. Not that we would really like to meet them, but we can see how they work, and we can identify with them. I found it fascinating that the character I really hated was John P. Ryan as Renkin, the warden. This official of society has turned his efforts to recapture the prisoners, particularly Manny, into a personal mission of hatred. The cinematography and imagery in the film are excellent. Whether exterior shots of the train hurtling across the desolate Canadian wilderness, or claustrophobic shots of the characters in the train, we are there and cannot help but be involved. There's not a bad performance in it. John Voight, Eric Roberts, Rebecca De Mornay and John P. Ryan are all tremendous, with an intensity that matches the demands of the film.