This edition contains the complete original 1962 albums Bossa Nova Jazz Samba (Pacific Jazz PJ ST58), and Brasamba! (Pacific Jazz PJ ST64), both of which feature Bud Shank and Clare Fischer playing bossa nova songs and jazz standards with a bossa nova flavor (the second LP also includes guitarist Joe Pass).

Die nicht-männliche Libido wurde über Jahrhunderte hinweg alles andere als prominent gemacht. Dabei ist sie alive and well und durchaus bereit sich auszudrücken. Ankathie Koi perfektioniert auf ihrem zweiten Album „Prominent Libido“ ihr Spiel zwischen impliziten und expliziten Erzählungen. Dieses Manöver zieht sich durch – vom Titel, über die Lyrics, bis hin zum Albumcover. Letzteres gleicht einem Wimmelbild für Erwachsene, zeigt 35 Exemplare der Spezies Mensch nackt ineinander verschlungen, und als Krönung dieses Berges an Liebe eine goldene Ankathie Koi, die die Arme ausbreitet.

Maestro Rogerio Tutti is a piano virtuoso showman known for his impeccable technique and charismatic personality.
With vibrating performances and interactive fun stage presence, Tutti has conquered the public presenting the best of the classical music world mixed with his contemporary and original arrangements of the most popular and beloved music.
Tutti conducts and performs with his own orchestra presenting many of his unique and emotional compositions.

For the last 400 years, operas have been based around themes of real human emotion: life, death, joy, anger, and most predominantly, love. From two impoverished bohemians, to lovers who can only be together in death, we’ve chosen some of opera’s greatest love stories.

It’s been six years since Sivan Talmor’s 2013 debut album named “לונה פארק” – the title comes from an amusement park in Tel Aviv. And she kept appearing here on beehype with her following releases, like fantastic 2016 album “Fire” and equally superb live record in 2017.

None other than Roy Sander of the prestigious Bistro Awards wrote, With her fluent musical vocabulary and sharp interpretive skill, Wendy Scherl illuminates and invigorates every song she sings. Her new Harbinger Records album, Youll See, marks Wendys return to performing after taking an eighteen-year break to raise her two boys. After her appearances at New Yorks premier clubs like BB Kings, Dont Tell Mama, The Triad, The Metropolitan Room, and the Laurie Beechman Theatre, this Metro Star Search award-winner has returned to radiant reviews. Of this new release, David Friedman wrote, Wendy never stopped singing, never stopped studying, never stopped honing her art. Shes back, voice more beautiful than ever, singing with all the warmth and wisdom and humor that only a life well and fully lived can bring. And Youll See is the perfect showcase for Wendys myriad talents.

Martinez was born in Montreal to a Canadian mother and a Colombian father, and raised in Bogotá and North Vancouver. She began her career in television in Colombia appearing in telenovelas such as Mambo (1994), María Bonita (1995), and La Otra Mitad del Sol (1995). She is a Canadian citizen and speaks fluent French, Spanish and English.

The Leuven Chansonnier (1470-75) includes fifty compositions by leading 15th-century Franco-Flemish names as Johannes Ockeghem, Antoine Busnoys, and Firminus Caron but also twelve newly re-discovered works, found in no other source!

Cheshire born Natasha Hemmings cannot remember a life without music. As an active member in her county and school music scene when she was a child some of her earliest memories are from choirs and performance groups that she was a part of.

Kyle Shepherd is an award winning Pianist and Film Score Composer. His "Fiela Se Kind" film score earned him a Silwerskerm Award for "Best Original Score" in August 2019! Enjoy this beautiful and hauntingly emotional score!

At the end of the 80s, England discovered acid jazz, a genre that combines elements of funk, soul, disco and jazz fusion. It was hugely popular, especially thanks to artists such as Incognito, the Young Disciples, Galliano, Us3, Corduroy, Snowboy, the Sandals and even Jamiroquai. In 1987, the DJs Gilles Peterson and Eddie Piller even dedicated a label to the genre, Acid Jazz Records. Within this groovy movement, which finally started to decline at the end of the 90s, The Brand New Heavies were one of the torchbearers, largely thanks to the energy injected by the various singers including N’Dea Davenport, Siedah Garrett and Carleen Anderson.

Taxi Galaxi ist das Musikprojekt von Frank Schätzing, mit dem der Bestseller-Autor sein erstaunliches Debut als Musiker, Sänger und Songschreiber vorlegt - elf Titel plus Bonustracks, die sich jeder Vorhersehbarkeit verweigern, einen vielmehr packen und mitnehmen auf einen phantastischen Trip zwischen Art-Pop, Funk und Indie-Rock. Gerade heimisch geworden im luftig dahintreibenden "Clouds Crossing Centuries", sieht man unvermutet Sturmwolken aufziehen, türmen sich Streicherkaskaden dramatisch über Metal-Riffs. "The Both We Were" jagt den Hörer durch die Nachtbars eines geisterhaften Paralleluniversums, "Loser" bettet ihn auf samtige Streicher, im Titeltrack krachen Punkgitarren zu retrofuturistisch wimmernden Damenchören. Es ist die Fülle der Details - zirpende Synthies, Loops und Samples-, die eine durchgehend spannungsgeladene Atmosphäre erzeugt, bevor Neil Armstrong im magisch schönen Observatory Nights das Space Age heraufbeschwört. Pure Experimentierfreude gepaart mit Gespür für die griffige Melodie. So überzeugt Taxi Galaxi vor allem als Album guter Songs, auf denen neben einer exzellenten Stammbesatzung so illustre Gäste wie Peter Gabriel-Bassist Tony Levin und David Bowies langjähriger Pianist Mike Garson zu hören sind.

The Faim release their debut album, State of Mind via BMG. It's a great balance of unique pop-rock sounds, rounded out with lush live band elements and massive choruses.

It is easy to underestimate Denmark’s contribution to death metal, especially in the face of America and Sweden. But from early days of infancy, through trembling years of youth, long murky middle-age and final hours long in the tooth. Denmark is the hundred names of terror, creature you love the least. Now picture its name before you and exorcise the BAEST. Less than twelve months since their vicious debut Danse Macabre, BAEST have returned with yet another helping of slick Scandinavian savagery. Whenever a band follows an album quite so quickly it’s always cause for slight concern. Perhaps tellingly, Venenum doesn’t really stray from the debut’s template. Stylistically, it is a perfectly analogous sequel in almost every way. But when fellow Dane Hans Christian Andersen said “Death walks faster than the wind and never returns what he has taken,” he was not fucking about.

Conceived in Finland in 1989, dark rockers THE 69 EYES have come a long way and shaped the genre of ‘Goth ‘n’ Roll’ like no other. With several platinum selling albums like »Blessed Be« and »Paris Kills« released around the millennium, the quintet not only reached #1 of the single and album charts in their home country of Finland, but also plunged the world into their sinful cosmos of love, death and eternal melancholy and outlived any other band emerging from the goth hype of the early 2000s. By developing their sound further into sleaze rock on »Devils« (2004) and »Angels« (2007) and not shying away from pitch black Elvis allusions in singer Jyrki 69’s majestic dark voice and unique dance moves, the band established their worldwide following by relentlessly touring Europe, America, Asia and Australia.