While mostly accurate, dismissing Never Mind the Bollocks as merely a series of loud, ragged midtempo rockers with a harsh, grating vocalist and not much melody would be a terrible error. Already anthemic songs are rendered positively transcendent by Johnny Rotten's rabid, foaming delivery. His bitterly sarcastic attacks on pretentious affectation and the very foundations of British society were all carried out in the most confrontational, impolite manner possible. Most imitators of the Pistols' angry nihilism missed the point: underneath the shock tactics and theatrical negativity were social critiques carefully designed for maximum impact. Never Mind the Bollocks perfectly articulated the frustration, rage, and dissatisfaction of the British working class with the establishment, a spirit quick to translate itself to strictly rock & roll terms. the Pistols paved the way for countless other bands to make similarly rebellious statements, but arguably none were as daring or effective.

Formed in South Shields, England in 1977, the Angelic Upstarts was one of the period's most politically charged and thought-provoking groups; though technically a skinhead band, their records attacked the racism and fascism so prevalent throughout the skinhead community, and while also technically a punk unit, their music quickly evolved beyond the movement's limited scope. The Angelic Upstarts were led by the rather nasal vocalist Mensi (born Thomas Mensforth), whose impoverished childhood became a frequent lyrical touchstone. Along with a highly fluid lineup which initially comprised guitarist Mond, bassist Ronnie Wooden, and drummer Sticks, the group debuted with the 1979 single "Murder of Liddle Towers," a scabrous attack on police brutality. The record caught the attention of Sham 69's Jimmy Pursey, who produced their debut album Teenage Warning, which, like its 1980 follow-up, We Gotta Get Out of This Place, roundly ridiculed the oppressive policies of Margaret Thatcher while offering an outpouring of sympathy for the working class.

A European tour with a new band in 1980 was cancelled, and Hagen turned to the United States. A limited-edition 10-inch EP was released on vinyl that summer in the U.S. Two songs from her first album Nina Hagen Band were on the A side, and two songs from her second album Unbehagen were on the B-side. All four songs were sung in German, although two had English titles and the other two were covers of English-language songs with new German lyrics.

is the 2019 album by Japanese indie rock/punk band Chai. This is the American pressing released by Burger.

Greatest Hits: Sight & Sound offers a best of compilation by Debbie and the boys, plus a bonus DVD of their videos and performances. Includes "Heart Of Glass", "Atomic", "Call Me", "Hanging On The Telephone" and "Rapture" to name but a few.

In artistic terms, Plastic Letters, Blondie's second album, was a classic example of the sophomore slump. If their debut, Blondie, was a precise update of the early-'60s girl group sound, delivered with an ironic, '70s sensibility, its follow-up seemed to consist of leftovers, the songwriting never emerging from obscurity and pedestrian musical tracks…

Blondie turned to British pop producer Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band…

If new wave was about reconfiguring and recontextualizing simple pop/rock forms of the '50s and '60s in new, ironic, and aggressive ways, then Blondie, which took the girl group style of the early and mid-'60s and added a '70s archness, fit right in…

Of the first three Stranglers albums, Black & White is arguably the weakest, yet it still has some absolutely stunning moments. For example, the epic "Toiler on the Sea" picks up where "Down in the Sewer" and "School Mam" left off on the band's two previous efforts…

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VANITY BOX - Vanity Records / music is up and down is a 11 CD box set that compiles all full length albums and 7 inches singles that were originally released by Vanity Records from 1978 to 1981. All material included in this box set was sourced from the original master tapes and has been digitally remastered.

Over 100 tracks that smashed through the bloated excesses of arena rock and disco in the late '70s, cross-licensed from everywhere. Blitzkrieg Bop Ramones; White Riot Clash; Personality Crisis New York Dolls; Neat Neat Neat Damned; See No Evil Television; Free Money Patti Smith; Sonic Reducer Dead Boys; In the City Jam; Pablo Picasso Modern Lovers; Boredom Buzzcocks; Mongoloid Devo; Wasted Black Flag by far the most complete punk collection ever assembled. A 116-page book contains essays, track-by-track commentary and personal recollections!

Over 100 tracks that smashed through the bloated excesses of arena rock and disco in the late '70s, cross-licensed from everywhere. Blitzkrieg Bop Ramones; White Riot Clash; Personality Crisis New York Dolls; Neat Neat Neat Damned; See No Evil Television; Free Money Patti Smith; Sonic Reducer Dead Boys; In the City Jam; Pablo Picasso Modern Lovers; Boredom Buzzcocks; Mongoloid Devo; Wasted Black Flag by far the most complete punk collection ever assembled. A 116-page book contains essays, track-by-track commentary and personal recollections!

Like the Vibrators, the Stranglers were an older band which managed to gain visibility and success through association with Britain's punk movement. Musically, the group is much more polished than some of their rawer brethren such as the Adverts and Siouxsie and the Banshees…

No single box set–however sumptuously packaged, however comprehensively compiled–could hope to contain the bewildering, diverse array of musical styles and opinions that was brought together under the loose description "punk" between 1976 and 1979. There were so many fresh ideas and concepts–the final, irreversible emancipation of women in rock and the creation of an entirely new, non-R&B, guitar-based music form–contained within that one word, no compilation could hope to represent it fairly. 1-2-3-4 has a damn good try, though. Five CDs, featuring 100 tracks from the good, bad and downright ugly of punk.