This is the extraordinary recording debut of jazz phenomenon Anaïs Reno, who made it in 2020 at the age of 16. Reno has already won accolades for her dedication to the Great American Songbook. She recently received the Julie Wilson Award, and in 2019 won the Mabel Mercer Foundation competition for high school students. For this album she has chosen 12 tunes by two master writers: Duke Ellington (1899-1974) and Billy Strayhorn 1915-67), creators of some of the most challenging and sophisticated material in the Great American Songbook. Reno combines beloved hits such as Mood Indigo, Take the A Train, Lush Life and Caravan with lesser-known but equally memorable tunes like A Flower Is a Lovesome Thing and Its Kind of Lonesome Out Tonight, all backed by a stellar group of jazz musicians led by pianist Emmet Cohen, who also did the arrangements with Reno. I have a very personal relationship with these songs, says Reno. Somehow I believe that the music of Ellington & Strayhorn understands me. This is why I want to honor it.

This is no ordinary jazz album. It’s not just that San Francisco vocalist Bill Kwan delves deeply into the songbook of one of the 20th century’s most popular female singers. Slated for release on April 16, 2021 No Ordinary Love: The Music of Sade captures an artist boldly redefining himself. Collaborating closely with a brilliant cast of New York players, he brings a confidently sensuous male sensibility to material defined by the Nigerian-born superstar, whose cool, understated style and regal persona has largely kept other artists from interpreting her songs.

4CD Box Set. 72 tracks featuring Miles Davis, Dave Brubeck, Gerry Mulligan, Thelonious Monk, Charlie Parker, Dizzy Gillespie, Chet Baker, Duke Ellington, Oscar Peterson, Claude Thornhill, Nat King Cole, Charles Mingus, Billie Holiday, Ella Fitzgerald, Lester Young, Louis Armstrong, Eartha Kitt, Julie London, Art Pepper and many, many more…

36 tracks. Dean Martin, Tony Bennett, Sammy Davis, Matt Monro, Julie London, Bobby Darin, Louis Armstrong, Ella Fitzgerald, Andy Williams, Shirley Bassey, Engelbert Humperdinck, Peggy Lee, Al Martino, Nina Simone, Fred Astaire, Eartha Kitt, Bing Crosby, Mel Torme and more, and more…

Ghostlight Deluxe, an imprint of Ghostlight Records, will release For Centennial Reasons: 100 Year Salute to Nat King Cole – the new album from the John Pizzarelli Trio – in physical, digital and streaming formats on Friday, February 8. Following high-profile collaborations with Sir Paul McCartney and Michael McDonald, Pizzarelli returns to his roots to honor his hero, the legendary jazz/pop vocalist and pianist Nat King Cole, whose centennial is being celebrated around the world this year with various concerts, books and recordings. For Centennial Reasons… completes an epic trio of Pizzarelli albums saluting Cole, starting with Dear Mr. Cole, which helped put Pizzarelli on the map as an influential jazz guitarist and singer in 1994, and continuing with P.S. Mr. Cole, which cemented his legacy five years later.

Vic Damone was an American traditional pop and big band singer, actor, radio and television presenter, and entertainer who is best known for his performances of songs such as "You're Breaking My Heart" (a number one hit), the number four hit "On the Street Where You Live" (from My Fair Lady), and "My Heart Cries for You" (also No. 4).

This is an essential package! Whoever put this together obviously knew what they were doing, and all is placed in chronological order. Discs 1-3 are a terrific compilation of material from the MGM years, consisting of commercial recordings of soundtrack materal. If no recording was commercially released, the original soundtrack is used-great for such numbers as "Hoe Down" with Mickey Rooney! But the last disc makes this package essential-here is a pristine soundboard recording of Judy's final performance at the Palace Theater, MYC-2/24/52! She was concluding a 19-week engagement, and the atmosphere is electric. Fantastic stuff!

Marian is a singer born in Esplugues de Llobregat (Barcelona). As a little girl, she already sang and sang at all hours. His love for music was so strong that he could not separate himself from it, and has been in this for twenty years now, during which he has played with hundreds of groups, has done thousands of concerts, participated in musicals, on recordings and has led and He co-led projects, especially related to jazz, blues, funk, gospel, soul, and pop, although he is interested in and listens to all kinds of music.

Nová nahrávka argentinské zpěvačky Roxany Amed. Recenzi připravil Otakar Svoboda.

Vocalist Jane Monheit is a technically adept performer with a style steeped in the resonant, swinging jazz tradition of idols like Ella Fitzgerald and Judy Garland. It's a sound that helped her finish as runner-up in the 1998 Thelonious Monk Institute vocal competition, and one which she has applied over the years to a mix of Broadway and jazz standards, as well as bossa nova and Latin songs.

Nicki Parrott picked older pop songs with good lyrics and good melodies arranged into a jazz setting.Nicki Parrott loves old pop songs with good lyrics and good melodies and decided to put them into this jazz setting. The lyrics are published in the liner notes so that you can either listen or sing along with Nicki Parrott and her swinging bass and her favorite sidemen Larry Fuller (piano), Lewis Nash (drums), Harry Allen (tenor sax) and David Blenkhorn (acoustic and electric guitars).

40 tracks from 1951-52's The Peggy Lee Show, most tracks previously unissued. Standards from Cole Porter, Richard Rodgers, Hoagy Carmichael, and more. Liner Notes from music journalist Joe Marchese . Peggy Lee is the recipient of the GrammyR-Lifetime Achievement Award. Deluxe Digi-Pak Release Commemorating Peggy Lee's Centennial "Music is my life's breath," proclaims the epitaph of Norma Deloris Egstrom, better known to the entertainment world by her professional name of Peggy Lee. 2020 marked the centennial anniversary of this extraordinary artist and her considerable contributions to the world of jazz and popular music. Over her seven-decade career, Peggy Lee helped redefine what it meant to be a female singer, and her quietly captivating voice continues to resonate with audiences of all ages. Born in an era where women struggled for equality-a conversation that continues today-and carrying the burden of years of a traumatic childhood, she was a true pioneer and survivor to her core. What she accomplished as a woman, and as an artist, is nothing short of extraordinary.

While 2002's Down the Road was the best Van Morrison release in ages – with its autobiographical allusions, cultural critiques, and new band – it could not have prepared listeners for the jolt of this, his Blue Note Records debut What's Wrong With This Picture? While the album is hardly a straight jazz record, it does take the territory he explored on Down the Road another step further into the classic pop music of the 20th century filtered through his own Celtic swing, R&B, vocal jazz, and blue-eyed soul. The title track that opens the album is as close to an anthem as Morrison's ever written; he states with an easy, swinging, jazzy soul groove that he is not the same person he once was and wonders why that was so difficult for others to accept. There is no bitterness or bite in his assertions. If anything, the question is asked with warm humor and amusement as if it is indeed the listener's hangup if he/she can't accept Morrison "living in the present time." He asks, "Why don't we take it down and forget about it/'Cause that ain't me at all," as the song whispers to a close.

These singers harmonize through mysterious songs about strange and ordinary, things–through beautiful female lead singing, with fascinating percussion and horn background, and bass that is perfect to balance the variety of harmonies. This is not like Manhattan Transfer, no, it is more personal, more immediate. The impression is latin and contemplative, while being no-nonsense and straightforward in expression. It is a wonderful mix of the familiar and the unfamiliar, the new and the understandable.

The Nest (released 2003 in Oslo, Norway on the Emarcy (067 153-2) label) is an album by Norwegian pianist Ketil Bjørnstad, with special guest artist Anneli Drecker, presenting lyrics by the poet Hart Crane (1899-1932).