Anna Golden, an emerging worship artist and songwriter, announced her debut project, “Peace: The Album,”.

At only 24 and with her debut album ready to impact the world, the music scene is not a new one for Golden. She began her career as a showbiz kid, the youngest of four talented siblings. Her childhood was spent in Los Angeles audition rooms, earning consistent work with mainstream entertainment outlets, including Radio Disney.

Alan Jackson will be releasing a brand new studio album on 14th May including 21 new tracks** This is the first country release in over 5 years. Alan Jackson is one of the best-selling music artists of all-time, having sold over 75 million records worldwide, with 44 million sold in the United States alone. He has had 66 songs appear on the Billboard Hot Country Singles & Tracks chart; of the 66 titles, and six featured singles, 38 have reached the top five and 35 have claimed the number one spot.

FAT POP ?? “Pop, in old money… you know what I mean?” The new album from Paul Weller was recorded in Spring 2020 whilst unable to hit the road and tour. Locked-down at Black Barn studios, Paul initially recorded vocals, piano and guitar on his own, before sending to the core band to add their parts remotely. Eventually the full band were able to reconvene as restrictions lifted and finish the record.

Iconic frontman and instrumentalist MYLES KENNEDY (Alter Bridge, Slash ft. Myles Kennedy & The Conspirators) proves that tumultuous downtime can spark creative genius with The Ides Of March - the long-anticipated full-length follow up to his 2018 solo debut, Year Of The Tiger. The Ides Of March once again showcases the organic side of Kennedy's musical spectrum and one-of-a-kind voice, but while bright inclusions of lap steel and mandolin have replaced some of the pummeling kick drum and downtuned electric riffage his other renowned projects are known for, each of its offerings maintain the same steadfast energy that never relents. Fluxing between heritage rock outcries featuring Jimmy Page-worthy solos, and stripped-down, bluesy beckonings, the album manifests as an uplifting refresher arriving when society needs it most. Lyrically, the album's 11 unique offerings embrace all listeners, championing themes of unity and solidarity over separation and spite, allowing the sonic warmth of each track to stand out.

It would be hard to find more appealing treatments of Mozart's wind concertos than these from Christopher Hogwood and the Academy of Ancient Music, featuring a distinguished group of period-instrument soloists. Leading the way, and playing a deliciously mellow-sounding basset clarinet, Anthony Pay gives a splendid account of what is surely Mozart's most beautiful concerto, the Clarinet Concerto in A, K. 622. Pay's shadings are soft and natural, his embellishments simply marvelous, and he and Hogwood are right on the mark when it comes to tempo, expression, and accent.

In 1975, McCoo and Davis left the 5th Dimension and began performing as a duo. Landing a contract with ABC Records, they recorded their 1976 debut album, I Hope We Get to Love in Time. The first single was the title track, which was a mid-chart hit. Their follow up, "You Don't Have to Be a Star (To Be in My Show)" was an even bigger hit, reaching #1 on the Billboard Hot 100 in January 1977. McCoo and Davis were awarded a Gold single and a Gold album as well as a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. The song peaked at #21 in Australia. They became the first African American married couple to host a network television series, The Marilyn McCoo & Billy Davis Jr. Show, on CBS in summer 1977. They released one more album on ABC in 1978, produced by Frank Wilson and containing the popular ballad "My Reason To Be" by songwriters Judy Wieder and John Footman.

British import CD, now out-of-print, 16 tracks, digitally transferred from the original masters. Includes: For Me and My Gal/Trolley Song, Swanee, I'm Nobody's Baby, Alexander's Ragtime Band, Over the Rainbow, I Feel a Song Coming On, Rock-a-bye Your Baby, Almost Like Being in Love/This Can't Be Love, Fly Me to the Moon, That's Entertainment, Chicago, Battle Hymn of the Republic, Come Rain or Come Shine, Smile, I Can't Give You Anything but Love, Hey Look Me Over.

The Umbria Jazz Festival is one of the most important jazz festivals in the world and has been held annually since 1973, usually in the month of July, in Perugia, Italy. Furthermore, the Umbria Jazz Winter Festival takes place annually in late December to early January in the city of Orvieto. Since its start the festival turned into a quality jazz fiesta, one of the leading festivals in Europe. The Umbria Jazz Festival in Perugia, Italy attracts over 200,000 people each year for 10 days of live jazz music performed by critically acclaimed artists from around the world.

Idle Cure was an arena rock band from Long Beach, California. The Encyclopedia of Contemporary Christian Music calls their sound "the best example of cloning a sound for Christian markets", likening it to that of Def Leppard's Pyromania. They targeted a youthful audience, distinguished by overtly evangelical religious lyrics.

"Robbery" is the 5th album by Teena Marie, released in 1983. It is her 1st album for Epic Records, following her acrimonious departure from Motown the previous year. The album was written and produced by Marie herself and features contributions from Patrice Rushen, Paulinho da Costa, and Steve Ferrone among others. However, the album did not repeat the success of her last Motown release It Must Be Magic, stalling at #13 on the Black Albums chart and only reaching #119 on the Billboard Albums chart.

The New York funk band's LP is divided into two segments, the Freak Party and the Foot Stompin' sides. Foot Stompers first: you won't find a better girl-watching song than "I Like the Girls," awhere an incessant bass riff drives the funky anthem; some timely rim drumming and cowbells embellish the beat along with well-placed horn riffs. "Snake" has a Latin beat and relies heavily on salsa horns; it's pure jazz and shows Fatback's versatility, with some tasty solos added for seasoning. The side concludes with "Can't You See," a laid-back tune, real laid-back, so laid-back you wonder why it's on the Foot Stompin' side. "I'm Fired Up" kicks off the Freak Party side; the vocals are muddy and the words (the few there are) are hard to distinguish, but so what? Fatback is about the beat, the rhythms and the musicianship. "Boogie Freak" has a more infectious beat, and the lyrics are more interesting than "Fired," though they ripped the girlish backing vocals from the Ohio Players.

"Down Every Road 1962–1994" is a compilation album by American country singer Merle Haggard, released in 1996. It covers music from his earliest work in the early 1960s to his Epic releases of the late 1980s. The boxed set includes three CDs of material recorded for Capitol (up to 1977) and one of Haggard's later MCA and Epic recordings. It was ranked at #477 on 2012 updated version of Rolling Stones 500 Greatest Albums of All Time, stating that it "is the ultimate collection from one of country's finest singers."

"Heaven and Hell" is the 9th studio album by English rock band Black Sabbath, released on 25 April 1980. It is the 1st Black Sabbath album to feature vocalist Ronnie James Dio, who replaced original vocalist Ozzy Osbourne in 1979. Produced by Martin Birch, the album was a commercial success, particularly in the United States, where it reached #28 on the Billboard 200 chart and was certified Platinum for 1 million sales. In the band's native country, it sold well enough to be certified silver by the British Phonographic Industry in April 1982.

Most remix albums smack of weak marketing. Less about the music itself, they're often more concerned with fulfilling contractual obligations. Sadly "All Back To The Mine" is not an exception to the rule and represents an unnecessary pillage through Moloko's patchy back catalogue. Culled from five years' worth of archive, what you actually get are 21 mixes (10 of which have never appeared on any commercial UK format) of varying quality and style.

"This Is My Dream" is the 4th album by R&B group Switch. It was released in 1980. This is also the only album during their tenure with Motown not to feature input from Jermaine Jackson; they produced this album themselves. Following a slump with the subpar performance of their third album, "Reaching for Tomorrow", released earlier that year, the group rebounded with this effort. It included the top-ten hit "Love Over And Over Again", which Bobby DeBarge wrote with his sister and future DeBarge member Bunny DeBarge.