After the success of BUGS BUNNY SUPERSTAR, Warner Brothers cashed in on the theatrical re-issue popularity with movies made up of clips from classic WB cartoons bridged together by poorly drawn & scripted new animation. Sadly, this would be Mel Blanc's final work for Warner Brothers.

À la fin des années 50, une révolution agite l’univers du music-hall : le succès phénoménal du rock, dont les jeunes vedettes attirent les foules, tandis que les numéros traditionnels – acrobates, jongleurs, ventriloques – sont jugés démodés. Notre héros, l’illusionniste, ne peut que constater qu’il appartient désormais à une catégorie d’artistes en voie de disparition. Les propositions de contrats se faisant de plus en plus rares, il est contraint de quitter les grandes salles parisiennes et part avec ses colombes et son lapin tenter sa chance à Londres. Mais la situation est la même au Royaume-Uni : il se résigne alors à se produire dans des petits théâtres, des garden-parties, des cafés, puis dans le pub d’un village de la côte ouest de l’Écosse, où il rencontre Alice, une jeune fille innocente qui va changer sa vie à jamais.

Carmen, a beautiful Spanish woman with a tendency to lose her temper at the drop of a hat, is about to be married to Barnaby, a caring, wealthy, but slightly boring Englishman. While out with friends on her 'hen night' she encounters a stranger who suddenly sparks a passion that has been sleeping within her. As her wedding date approaches, she finds herself struggling to put this newcomer out of her mind, but his effect on her keeps growing stronger. What is it that he sees in her, and why does she feel like she's being pushed inevitably into his arms?

Sometime in the future, the Canadian Academy for Erotic Inquiry is investigating the theories of parapsychologist Luther Stringfellow. Seven young adults volunteer to submit to a form of brain surgery that removes their power of speech but increases their power for telepathic communication. An unseen group of students observes the results. As the experiment progresses, Stringfellow's theories come to fruition. Later, aphrodisiacs and various other drugs are introduced to the subjects to expose an inherent polymorphous perversity. In the end, they are isolated from each other, provoking antagonism and violence between them, which results in two suicides.

Star Wars Episode V: The Empire Strikes Back is a 1980 American epic space opera film directed by Irvin Kershner. The screenplay, based on a story by George Lucas, was written by Leigh Brackett and Lawrence Kasdan. Of the six main Star Wars films, it was the second to be released and the fifth in terms of internal chronology.

Peyton and Elena are, on the surface, diametrically opposed - one, a well-known lesbian writer, the other a mother and wife of a pastor - but when their paths cross, several times over, they feel compelled to connect. What begins as friendship quickly blossoms into something deeper. Peyton tries to extricate herself before her heart wants what it can't have. Elena can't imagine not having Peyton in her life. And despite the fact that she has never even considered kissing a woman, Elena is overwhelmed with a desire to do just that. Despite Peyton's reservations, Elena pushes the relationship into a full-blown affair. The two women fall deeply in love, both keenly aware a future together might be little more than a dream.

Pre-teen Jeliza-Rose's parents are hopeless drug addicts. When pa, rocker Noah, finds ma OD's, he fears to be charged of homicide and takes her along to his ma's place, in a desolate country region. With Noah passed out, the girl mentally transfers to a fantasy worlds she and her doll heads enter magically. In its adventures she also stars the crazy locals, notably Dell, her domineering hag ma and adult, but retarded brother Dickens.

Elina, heroine of the Fairytopia films, tells her friend, Bibble, the story of Flutterfield, a faraway kingdom populated by fairies with butterfly wings. Henna, the evil butterfly fairy, has poisoned the queen of Flutterfield in an attempt to take over the kingdom. Due to this, the lights protecting Flutterfield are in danger of going out. These lights protect Flutterfield from the "Skeezites", monsters who eat butterfly fairies, and are connected to the life of Flutterfield's queen…

In the desert in southern Peru lies one of the greatest mysteries of mankind - the land of huge striated lines: animals, people, and geometric shapes are located in an area of hundreds of square kilometers. What is it - the roads of ancient, astronomical calendar or runways aliens? Who left these lines and what they mean? Today, scientists are again looking for answers to these questions, looking everywhere - and in the sky, and below ground. They find the ancient pyramids and the new line. Recently it was discovered the decapitated body could be this amazing discovery will help unravel the mystery of the Nazca lines in the desert?

A shy boy is unable to make friends in Yazoo City, Mississippi in 1942, until his parents give him a terrier puppy for his ninth birthday. The dog, which he names Skip, becomes well known and loved throughout the community and enriches the life of the boy, Willie, as he grows into manhood. Based on the best-selling Mississippi memoir by the late Willie Morris.

“Defiantly and majestically cinema a la Rossellini” (Andrew Sarris), Socrates was a film Rossellini had wanted to make since the early Fifties. The film brilliantly recreates ancient Athens and the last days of the orator and philosopher with whom the director clearly identified. (Massimo Olmi’s touching account of the shooting of the film ends with this telling observation: “Patriarch Rossellini, patriarch Socrates, both absorbed in the difficult delivery of Truth,” which is echoed in Michael McKegney’s review of the film in The Village Voice: “Two great men separated by so many centuries seem to speak with one voice to a race which controls the atom and the atmosphere but seems to have forgotten why: ‘Know thyself.’”) Rossellini’s serene, sometimes shocking account of Socrates’ life and philosophy characteristically fastens on fact rather than myth, placing the prodigious figure in a detailed setting of the city with its workers and merchants, and a mundane domestic world of meals, servants, and an impulsive wife. Its irony also restrains any reverence for the great philosopher, emphasizing his foibles as well as his grandeur: when we first meet him, he has spent two days wandering about the city after forgetting that he left home to buy bread. The trial of Socrates for impiety and “corrupting the young” is high drama, and the final sequences, in which his family and followers gather in a cave as he is about to die, have a simple, resounding eloquence. “There is in this fidelity a kind of beauty and poetry that are all but unknown in the work of other contemporary filmmakers”

In order to get back into the good graces with his wife with whom he has had a misunderstanding, a young chemistry professor concocts a wild story that he is an undercover FBI agent. To help him with his story he enlists the aid of a friend who is a TV writer. The wife swallows the story and the film's climax takes place in the sub-basements of the Empire State Building. The professor and his friend, believing themselves prisoners on an enemy submarine, patriotically try to scuttle the vessel and succeed only in rocking the building.

It has taken 10 years, two little Fockers with wife Pam (Polo) and countless hurdles for Greg to finally get "in" with his tightly wound father-in-law, Jack. After the cash-strapped dad takes a job moonlighting for a drug company, however, Jack's suspicions about his favorite male nurse come roaring back. When Greg and Pam's entire clan-including Pam's lovelorn ex, Kevin (Owen Wilson)-descends for the twins' birthday party, Greg must prove to the skeptical Jack that he's fully capable as the man of the house. But with all the misunderstandings, spying and covert missions, will Greg pass Jack's final test and become the family's next patriarch… or will the circle of trust be broken for good?