The composer Frederick Delius is often pictured as the blind, paralysed and caustic old man he eventually became, but in his youth he was tall, handsome, charming and energetic - not Frederick at all for most of his life, but Fritz. He was a contemporary of Elgar and Mahler, yet forged his own musical language, with which he always tried to capture the pleasure of the moment.

A year in the life of a small Italian coastal town in the nineteen-thirties, as is recalled by a director with a superstar's access to the resources of the Italian film industry and a piper's command over our imaginations. Federico Fellini's film combines the free form and make-believe splendor with the comic, bittersweet feeling for character and narrative we remember from some of his best films of the 1950s. The town in the film is based on Rimini, where Mr. Fellini grew up. Yet there is now something magical, larger-than-life about the town, its citizens and many of the things that happen to them.

A gold mining camp in the California foothills is besieged by a neighboring landowner intent on stealing their claims. A preacher rides into camp and uses all of his powers of persuasion to convince the landowner to give up his attacks on the miners.