Pauline et François contains little in the way of emotive revelations or garment rending histrionics. Its dramatic climax, if one can call it that, is a relatively minor moment of moral weakness that’s quickly discovered and rectified. The film is neither artfully minimal nor flashily intense. But it is a haunting and compelling construction, built only with the most rudimentary of filmmaking tools. And Fely’s honest labor rewards his viewers with a memorable perspective of one family’s drift down the meandering river of time.

Set in the Seventies, Hennessy is a Irishman who believes in peace, but who has had connections to the IRA. Hennessy's family is killed, and he plots revenge, setting out to assassinate Queen Elizabeth of England.

The classic stage hit gets the Hollywood treatment in the story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.

Escaping to the Scottish countryside for a weekend of sex and drugs seemed a good idea to Kerry and her new boyfriend Paul. Lucy, Simon and James want to get in on the fun so they all head off to Paul's remote country hideaway. When a tragic accident leaves a girl dead, the friends, after a nights drinking, decide to play the ouija board. A terrifying decision they may not live to regret.