Black and white, gay and straight, mothers and daughters, class, and coming of age. Jo is working class, in her teens, living with her drunk and libidinous mother in northern England. When mom marries impulsively, Jo is out on the streets; she and Geoffrey, a gay co worker who's adrift himself, find a room together. Then Jo finds herself pregnant after a one night stand with Jimmy, a Black sailor. Geoffrey takes over the preparations for the baby's birth, and becomes, in effect, the child's father. The three of them seem to have things sorted out when Jo's mother reappears on the scene, assertive and domineering. Which "family" will emerge?

A young college girl becomes pregnant, and she and the baby's father are targeted by a black-market adoption ring that is out to get the baby.

This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital. Dr. MacLeod (Robert Stack) is a new, optimistic doctor who attempts to start an out-patient program for the women in the ward. His method of treating mentally ill patients without violence or punishment is met with resistance by the head nurse, Lucretia Terry (Joan Crawford). During Dr. MacLeod's treatment, the phobias and illnesses of the various women in the test group are explored.

Murphy plays an ex-Quantrill's Raider who's released from jail with buddy Cooper to be deputized as Arizona Rangers in order to hunt down the remnant of the gang, rumored to he hiding out in a town "neer dee border" in the words of the loose-lipped saloon dancer. The goons are found hiding in an Indian mission. Murphy and Cooper pretend to want to rejoin the gang, but the bad guys catch on and brutally beat Cooper, who protects Murphy's true sentiments to the death.

When she’s not serving regulars in a pub in a sleepy northern Moravian village, thirtysomething Maruna spends time with indecisive mayor Jura, soft-hearted outsider Olin and philandering roofer Kódl. Or she fights with her domineering mother, who is more inclined towards sister Jaruna, the one who gets the chance to leave this godforsaken place.

New York City teen Chuck Brennan (Jackie Cooper) gets involved with a gang and tries to make his way on the streets, inspired by his shifty father, Foggy (Guy Usher). He meets orphan girl Nora (Maureen O'Connor) and tries to do a good deed by setting her up with a singing gig at a local club, only to have the plan backfire when underage Nora is taken in by social services. And as time passes, Chuck's gang gets into murkier water with high-level crooks, putting him in a dangerous spot.

Two girls run away from a mental institution and forge a relationship on the streets of New York. They soon begin enjoying their punk-rock life until the powers that be start nosing around, looking for them, unsettling their already delicate mental states. Will the Sleez Sisters be torn apart? Or will they tear themselves apart?

Follows fame-obsessed teens who unwittingly become stars of the next internet sensation.

After ten years of estrangement, twins Maggie and Milo coincidentally cheat death on the same day

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunt's-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds.