In 1939, Steiner was borrowed from Warner Bros. by Selznick to compose the score for his next film, Gone with the Wind (1939), which became one of Steiner's most notable successes. Steiner was the only composer Selznick would consider for scoring the film, states Thomas. Despite 1939 being Steiner’s peak year for the number of scores he composed—twelve films in all—he was given only three months to do it. When the film was released, it was the longest film score ever composed, at nearly three hours. The composition consisted of 16 main themes and almost 300 musical segments. To meet the deadline, Steiner sometimes worked for 20-hours straight, taking Benzedrine pills to stay awake.

From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python and the Holy Grail helped to define "irreverence" and became an instant cult classic. This time the Pythonites savage the legend of King Arthur, juxtaposing some excellently selected exterior locations with an unending stream of anachronistic one-liners, non sequiturs, and slapstick set pieces. The Knights of the Round Table set off in search of the Holy Grail on foot, as their lackeys make clippety-clop sounds with coconut shells. A plague-ridden community, ringing with the cry of "bring out your dead," offers its hale and hearty citizens to the body piles. A wedding of convenience is attacked by Arthur's minions while the pasty-faced groom continually attempts to burst into song. The good guys are nearly thwarted by the dreaded, tree-shaped "Knights Who Say Ni!" A feisty enemy warrior, bloodily shorn of his arms and legs in the thick of battle, threatens to bite off his opponent's kneecap.

The Meaning of Life is without a doubt the most tasteless of the Monty Python feature films; it also happens to be one of the funniest. Life's questions are "answered" in a series of outrageous vignettes, beginning with a pre-credits sequence at a staid London insurance company which transforms before our eyes into a pirate ship. One of our favorite bits involve the National Health doctors who try to claim a healthy liver from a still-living donor, pointing out that there's nothing in his contract preventing this. And of course, there's the scene with the world's most voracious glutton, who brings the art of vomiting to new heights before his spectacular demise. Be warned: though hilarious, this may be the grossest bit of comedy filmmaking ever conceived (there aren't enough words in the world to describe it in detail!). Loyal Pythonites Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin star in The Meaning of Life and share writing responsibilities, while Jones is in the director's chair this time out.

Robert Redford's lyrical direction sets the tone for this evocative adaptation of author Norman MacLean's memoir of his idyllic Montana youth. The MacLean family is presided over by the strict but encouraging Rev. MacLean (Tom Skerritt) and his loving wife (Brenda Blethyn). Craig Sheffer stars as the young Norman, the older son in his family, who takes his school work and writing a bit too seriously for Paul (Brad Pitt), the impetuous younger son, to take much stock in. Paul would rather have a good time, drink and play cards than get involved with academic study. Where Norman wants to be a college literature professor, Paul would prefer to stay in Montana all his life and wrangle some kind of job writing for a local newspaper. But, ironically, Paul is the better fly fisherman and in this way attains a sense of perfection. The film also details the MacLean boys' involvement with a colorful group of town's people – including a young Indian woman Paul decides to date and the defiant Jessie (Emily Lloyd), whom Norman later marries.

Elmore Leonard's brittle novel is brought to the screen in this adaptation by director Abel Ferrara and screenwriter James Borrelli. Peter Weller plays George Moran, a Miami hotel owner who in times past fought in Santo Domingo during the American intervention into that country. George finds himself drawn back to Santo Domingo to try to find a woman who had given him the moniker of Cat Chaser. Instead of the woman he is looking for, George finds Mary (Kelly McGillis), and as it comes to all men, George ends up having a passionate affair with Mary – so passionate, in fact, that Mary announces to her husband Andres (Tomas Milian) that their marriage is over. Unfortunately for Mary and George, Andres, who at one point in the past was the head of the Santo Domingo secret police, has other ideas concerning the dissolution of their marriage.