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    3. Come Back, Little Sheba (1952) [Re-UP]

    Come Back, Little Sheba (1952) [Re-UP]

    Posted By: Someonelse
    Date: 4 May 2015 12:31:00
    Come Back, Little Sheba (1952) [Re-UP]

    Come Back, Little Sheba (1952)
    DVD5 | VIDEO_TS | NTSC 4:3 | 01:35:49 | 4,35 Gb
    Audio: English AC3 2.0 @ 192 Kbps | Subs: English
    Genre: Drama

    Director: Daniel Mann
    Stars: Burt Lancaster, Shirley Booth, Terry Moore

    For two decades Doc and Lola Delaney avoided coming to terms with what Doc considered a "shot gun" marriage. Lola lost the baby and gives a lot of her affection to Sheba, a dog that disappeared a few months before the film opens. Doc blames Lola for having to drop out of medical school and not becoming a "real" doctor. Until joining AA a year ago, his escape was alcohol. Then college student Marie rents a room in their home. Doc feels passion for the first time in 20 years. But Marie has two suitors her age. Lola – unaware of Doc's emotions – becomes as interested in Marie's future as if Marie were her daughter.

    IMDB - Won 1 Oscar | Wikipedia | Rotten Tomatoes | Amazon


    Come Back, Little Sheba (1952) [Re-UP]

    Come Back, Little Sheba is among the best of several booze-obsessed Hollywood melodramas of the 1950s (The Lost Weekend, Days of Wine and Roses, and The Country Girl covered the same territory). Adapted from the William Inge play, the film stars Burt Lancaster as Doc Delaney, an alcoholic trapped in an unhappy marriage. His wife Lola (Shirley Booth) was a college fling; she got pregnant, but lost the baby after they married. Predictably, he is still somewhat good-looking despite the booze, but she has let herself go, and is somewhat childish. Lola measures herself by her failure to interest him, and sublimates her disappointment with her life in annoying monologues about a lost dog (the titular Sheba). Delaney blames her for ruining his career. Added to this grim mix is an attractive young student who boards with them (Terry Moore) and becomes a surrogate child, inspiring conflicting feelings of protectiveness and jealousy in Delaney.

    Come Back, Little Sheba (1952) [Re-UP]

    Come Back, Little Sheba is painfully real and not so fun to watch – the 1950s equivalent of spending an evening with loser friends or family members whose lives haven’t turned out as well as planned. However, the deliberately hopeful ending hints at the possibility of reconciliation – not merely for the sake of a feel-good ending, but because in real life people often get second chances, and take them. In this case, Doc realizes that the only way to be happy is acceptance of the choices he has made, and Lola is finally able to forget the past.
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    Come Back, Little Sheba (1952) [Re-UP]

    Broadway actress Shirley Booth won both a Tony and a New York Drama Critics Award for her portrayal of a slatternly housewife in William Inge's play Come Back, Little Sheba (1950). She recreated the role of Lola Delaney in the film version of Come Back, Little Sheba (1952), and won an Academy Award® for her performance. It was an impressive film debut for Booth. And equally impressive was Burt Lancaster's performance as Lola's defeated alcoholic husband, Doc, which for the first time gave him credibility as a serious actor.

    Come Back, Little Sheba (1952) [Re-UP]

    Inge's "kitchen sink" drama explores the troubled marriage and faded dreams of a middle-aged couple, which reach a crisis when a sexy young student becomes a boarder in their home. Booth was 45 when she made the film, about the same age as her character. Lancaster was a young 39, virile and physically fit. A former circus acrobat, Lancaster had played mostly action heroes since his film debut in The Killers (1946). His latest film, The Crimson Pirate (1952), was a swashbuckler, starring Lancaster as an athletic buccaneer. According to Lancaster, he begged producer Hal Wallis for the chance to play Doc. Other sources say it was director Michael Curtiz, who had worked with Lancaster in the biographical film, Jim Thorpe – All-American (1951) who suggested him for the role. (Thorpe was a Native American star athlete whose life was ruined by alcoholism.) Wallis liked the idea of casting Lancaster in Come Back, Little Sheba for box office insurance, but the producer wasn't sure Lancaster could handle the role. Lancaster offered to test for the part, and did so, wearing no makeup and a frumpy suit, his hair plastered down.

    Come Back, Little Sheba (1952) [Re-UP]

    Once cast, Lancaster threw himself into the role, wearing sloppy clothes, padding, and unflattering makeup, and adopting a shuffling, stooped walk. The normally confident actor was somewhat in awe of the stage-trained Booth. According to Kate Buford's biography, Burt Lancaster, An American Life, he was so immersed in the character that he would call Booth at three in the morning to explain a scene to him. "Don't sell him short," Booth told someone who had scoffed at Lancaster as "a gymnast." "One day he'll be a great actor." Booth herself had some problems on the film. She had played the part so many times on the stage that it was an effort to tone down her theatrical performance and stage gestures for the film.

    Come Back, Little Sheba (1952) [Re-UP]

    In the end, their efforts paid off. Booth received rave reviews, and while there were a few swipes at Lancaster ("Burt Lancaster, far outside his normal range of habits, manages to give off an air of infinite repose, like a statue of Lincoln in a public park," according to the New Leader), most were pleasantly surprised. John McCarten wrote in the New Yorker, " To my astonishment and delight…a man I've always associated with the acrobats…is highly effective." Lancaster's tongue-in-cheek comment was, "Alas, for the first time since I can remember, I was called on to really act. Bear with me." But he was proud of his achievement, and of what he called "extraordinarily interesting reviews for the first time." For much of his career, Lancaster would continue to show his versatility, alternating between crowd-pleasing action roles, and the serious performances that would win him an Academy Award for Elmer Gantry (1960), and nominations for From Here to Eternity (1953), Birdman of Alcatraz (1962), and Atlantic City (1980).

    Come Back, Little Sheba (1952) [Re-UP]

    Making his debut as a film director on Come Back, Little Sheba was Daniel Mann, who had directed the stage version. Mann would go on to direct such films as The Rose Tattoo (1955), I'll Cry Tomorrow (1955), and Our Man Flint (1966). Terry Moore, who usually played ingnues or sexpots, was cast as the student who disrupts the lives of Lola and Doc in Come Back, Little Sheba. It was the best performance of a mediocre career, and earned her an Academy Award nomination as Best Supporting Actress. Editor Warren Low was also nominated for his work.
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    Come Back, Little Sheba (1952) [Re-UP]

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