Emily Milburton is a therapist who is struggling with personal problems. Things change when she meets her new patient,

Parking is director Jacques Demy's homage to Jean Cocteau's 1948 masterwork Orpheus. As in the Cocteau film, Demy relates the Orpheus and Euridyce legend in a contemporary setting. Now a rock 'n' roll sensation (instead of the poet of the Cocteau film) Orpheus falls in love with Eurydice, who in this version is a sculptress rather than a princess. The rest of the film adheres to the familiar story. Euridyce, who is death personified, beckons Orpheus into Hell, ostensibly to revive his dead lover. A shade brighter and more buoyant than its source material, Parking is the usual Jacques Demy brew of beautiful imagery and hokey dialogue.

SHEPHERDS AND BUTCHERS follows a jaded lawyer, John Weber (Steve Coogan), who takes on a seemingly hopeless multiple murder case and uncovers scandalous shortcomings in South Africa's capital punishment system.

A police officer who's transfered in the police of Marseille gets assigned to take down a group of Italian robbers who drive the powerfull Ferrari's with the older niece of Daniel, a terrible driver who gets the legendary white taxi.

A bullied teen experiences a turning point summer in which he learns to stand up for himself.

Michiko Oshitani, who lived in Shiga Prefecture, is found dead at an apartment in Tokyo. She was strangled to death. Mutsuo Koshikawa is the owner of the apartment and he goes missing. Detectives including Yuhei Matsumiya who is a cousin …

Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future.

On 28 November 1979, an Air New Zealand jet with 257 passengers went missing during a sightseeing tour over Antarctica. Within hours 11 ordinary police officers were called to duty to face the formidable Mount Erebus. As the police recovered …

Teenager Amir is constantly dodging trouble while dealing drugs in the underbelly of Mumbai. Following a drug bust, he evades the cops and ends up on the doorstep of his estranged sister Tara. Complications from concealing Amir land Tara in …

A struggling painter is possessed by satanic forces after he and his young family move into their dream home in rural Texas.

The film will follow Princess Songhwa, who refuses her fate to marry one of four suitors. While Seo Do-yoon, skilled at interpreting marital harmony signs is selected as the person to ascertain her best match.

After her businessman father moves her family from Kansas City to New York, a woman falls in love with an engaged man.

Peter York seeks to understand what he sees as the modern obsession with 'the authentic'. He speaks to craftspeople and expert commentators on his journey to understand the current cultural moment. He also examines where the label of the 'hipster' has its roots and whether it is too general a term for such a broad movement. He demonstrates through his years of marketing and advertising experience that subcultures have always been absorbed and repackaged by the mainstream. Contributors include Times deputy fashion editor Harriet Walters, the Guardian architecture critic Oliver Wainwright, and Sir John Hegarty. Peter also travels to America to look at parallels between the UK and America.

Mark Kermode continues his fresh and very personal look at the art of cinema by examining the techniques and conventions behind classic film genres, uncovering the ingredients that keep audiences coming back for more. This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.

When 18 year old Hope Gracin suddenly finds herself in remission from end-stage cancer, she must learn to live without an expiration date.