An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for …

Claude is a young Quebecois journalist living in Montreal. He's alienated and unhappy with contemporary society; he can't change it and at the same time he doesn't want to simply compromise and accept it the way it is. It bothers him that his anglophone, Jewish girlfriend Barbara is less philosophical than he is and is more concerned with her theater career than sharing his concerns about social issues. The tension with Barbara and conflicts with his editors causes Claude to leave the city and travel to a remote cabin in the countryside. There he reflects on his predicament and in his isolation he finds his ties to Barbara gradually loosening…

Culloden is a documentary film written and directed by Peter Watkins and originally broadcast by the BBC on December 15, 1964. It portrays the Jacobite uprising and the 1746 Battle of Culloden that "tore apart forever the clan system of the Scottish Highlands". Described in its opening credit as "an account of one of the most mishandled and brutal battles ever fought in Britain", Culloden was hailed as a breakthrough for its cinematography as well as use of amateur actors. It was based on John Prebble's study of the battle.

Set in Chicago during Prohibition, the Rat Pack's take on the Robin Hood legend finds bootlegger Robbo (Frank Sinatra) and his cronies refusing to pay the greedy Guy Gisborne (Peter Falk) a cut of their profits after Guy shoots mob boss Big Jim (Edward G. Robinson) and takes over. When Big Jim's daughter, Marian (Barbara Rush), gives Robbo a large sum of money, believing he has avenged her father's death, the gangster donates it to an orphanage, cementing his reputation as a softhearted hood.

In The Dam, although it is an experimental film, Kristl eschews the necessary earnestness in addressing his subject. The manufactured, unambiguously humorless profundity proffered up by other German contemporaries is absent here. Laughter is allowed. Kristl takes the dreadful liberty of tomfoolery, sending up himself, the characters, the action, "tragedy," and everything else, including the audience, that might be held sacred. Within the framework of the action, we recognize a love triangle, one of the simplest of dramatic configurations….

The adventure of a young university student confronted with love and the Quebec separatist movement of the 60s. Denis Héroux, who directed this film while in university, says, "I realized my strongest characters, those who oriented the film almost against my will, were ardent separatist, sometimes even terrorist. But I was stuck with them and had to continue following them."

Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.

An Army officer returns to the Smoky Mountains tries to convince his kinfolk to allow the Army to build a missile site on their land. Once he gets there, he discovers he has a lookalike cousin.

An airplane has crashed, causing the deaths of 53 people, but who is to blame? It's the job of Sam McBane (Glenn Ford) to find out, especially since the pilot was his good friend, and authorities believe he may have been drunk during the flight. Knowing of the pilot's exemplary World War II record, Sam goes on the search for the true culprit with the aid of the lone survivor, stewardess Martha Webster (Suzanne Pleshette), and reenacts the events of the accident.

The lives of Geneviève Emery and Guy Foucher of Cherbourg, France are presented in 4 acts, in director Jacques Demy's fable of young love.

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

The Carpetbaggers is a 1964 American film starring George Peppard as a character based largely on Howard Hughes and Alan Ladd as a former western gunslinger turned actor with the pseudonym Nevada Smith, played the following year in a prequel …

Jonas Cord is a disagreeable young tycoon who's building planes, directing films and catting around on the corporate make in 1930's Hollywood.

Anthony Richmond schemes to get the fortune of his tyrannical, wheelchair-using tycoon uncle Charles Richmond by persuading Maria, a nurse he employs, to marry him.